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It's true I've always been attracted to the jazz band in an orchestral way, rather than a band way.
Gerry Mulligan
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Gerry Mulligan
Age: 68 †
Born: 1927
Born: April 6
Died: 1996
Died: January 19
Bandleader
Composer
Conductor
Film Score Composer
Jazz Musician
Music Arranger
Musician
Pianist
Recording Artist
Saxophonist
Singer
New York City
New York
Gerald J. Mulligan
Gerald Joseph Mulligan
Jeru
Attracted
Jazz
Band
Rather
True
Way
Always
Orchestral
Mulligans
More quotes by Gerry Mulligan
Then, of course, I played alto and tenor, wherever there were jobs.
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I'm fascinated with the electronic devices that we can mess around with.
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Eliminating the piano means that I've always worked closer with the bass than most players.
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Now, the instrumentation in the jazz band and the jazz dance band has gone through many evolutions. For instance, in the 'twenties the tradition was two or three saxophones
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The baritone can serve functions that the alto and tenor cannot, in orchestral voicing
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The recording industry has changed they're enjoying such incredible success in the pop field
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People are approaching electronic levels in music although not all of it happens to tickle my fancy
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People talk about innovations and evolutions and that kind of thing I don't understand about that nonsense. It's like, all instruments are there to use all the time
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So I played alto for quite a while until I saved up the money for the baritone
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The first reason for starting to do the symphony concerts was to play this new piece of mine.
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When [Billy] Strayhorn came on the scene, he just blew us away.
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Because if you've got the wit, you can make anything into a melody, ultimately.
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I've appeared on some other people's albums.
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The other saxophones, except as solo instruments, really don't have much point in the orchestra
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This life of being a transient human being has gotten to a point when it's very hard to bear
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In a way, I started out to be a baritone player.
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If you've only got one horn playing, I still want the sense of ensemble.
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I've always wanted a C trumpet on top, to have that same kind of facility without shouting.
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Life on the road is murder. It's as though life begins and ends when you have your horn in your mouth.
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The Russian composers, especially, tricked the symphony orchestra into the kind of dynamic, rhythmic thing
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