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What counts isn't being able to do a thing, it's seeing what it is. Seeing is the decisive act, and ultimately it places the maker and the viewer on the same level.

Gerhard Richter

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Gerhard Richter
Age: 92
Born: 1932
Born: February 9
Illustrator
Painter
Photographer
University Teacher
Visual Artist
Elbflorenz
Gehede Lixite
Geruharuto Rihitā
Gerd Richter
Able
Viewers
Thing
Counts
Makers
Ultimately
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Viewer
Levels
Decisive
Seeing
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More quotes by Gerhard Richter

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Illusion - or rather appearance, semblance - is the theme of my life (could be theme of speech welcoming freshmen to the Academy). All that is, seems, and is visible to us because we perceive it by the reflected light of semblance. Nothing else is visible.
Gerhard Richter
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Turning to the colour-classification methodology: The starting point are the four pure colours red, yellow, green and blue their in-between shades and scales of brightness result in colour schemes containing 16, 64, 256 and 1,024 shades. More colours would be pointless because it wouldn't be possible to distinguish between them clearly.
Gerhard Richter
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I see the bomber pictures as an anti-war statement... which they aren't - at all. Pictures like that don't do anything to combat war. They only show one tiny aspect of the subject of war - maybe only my own childish feelings of fear and fascination with war and with weapons of that kind.
Gerhard Richter
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I don't believe in the reality of painting, so I use different styles like clothes: it's a way to disguise myself.
Gerhard Richter
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Now there are no priests or philosophers left, artists are the most important people in the world.
Gerhard Richter
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When I paint from a photograph, conscious thinking is eliminated. I don't know what I am doing. My work is far closer to the Informel than to any kind of 'realism'. The photograph has an abstraction of its own, which is not easy to see through.
Gerhard Richter
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I have no motif, only motivation. I believe that motivation is the real thing, the natural thing, and that the motif is old-fashioned, even reactionary (as stupid as the question about the meaning of life)
Gerhard Richter
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Not the victims of any specific ideology of the left or of the right, but of the ideological posture as such. This has to do with the everlasting human dilemma in general: to work for a revolution and fail.
Gerhard Richter
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Maybe we didn't even have a chance. The message of American Pop Art was so powerful and so optimistic. But it was also very limited, and that led us to believe that we could somehow distance ourselves from it and communicate a different intention.
Gerhard Richter
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I never worked at painting as if it were a job it was always out of interest or for fun, a desire to try something.
Gerhard Richter
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My paintings are wiser than I am.
Gerhard Richter
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I believe I am looking for rightness. My work has so much to do with reality that I wanted to have a corresponding rightness. That excludes painting in imitation. In nature everything is always right: the structure is right, the proportions are good, the colours fit the forms. If you imitate that in painting, it becomes false.
Gerhard Richter
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To make a photograph is already the first artificial act.
Gerhard Richter
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I often need a long time to understand things, to imagine a painting I might make.
Gerhard Richter
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To believe, one must have lost God. To paint, one must have lost art.
Gerhard Richter
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Art shows us how to see things that are constructive and good, and to be an active part of that.
Gerhard Richter
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The smudging makes the paintings a bit more complete. When they're not blurred, so many details seem wrong, and the whole thing is wrong too. Then smudging can help make the painting invincible, surreal, more enigmatic - that's how easy it is.
Gerhard Richter
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Art should be serious, not a joke. I dont like to laugh about art.
Gerhard Richter
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The year is always correct, also the month, only the day can be another. But that occurs to me only in the moment of writing it down.
Gerhard Richter
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The photograph is the most perfect picture. It does not change it is absolute, and therefore autonomous, unconditional, devoid of style. Both in its way of informing, and in what it informs of, it is my source.
Gerhard Richter