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To make a photograph is already the first artificial act.

Gerhard Richter

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Gerhard Richter
Age: 92
Born: 1932
Born: February 9
Illustrator
Painter
Photographer
University Teacher
Visual Artist
Elbflorenz
Gehede Lixite
Geruharuto Rihitā
Gerd Richter
Photograph
Already
Firsts
First
Make
Artificial

More quotes by Gerhard Richter

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Now there are no priests or philosophers left, artists are the most important people in the world.
Gerhard Richter
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I would like to try to understand what is. We know very little, and I am trying to do it by creating analogies. Almost every work of art is an analogy.
Gerhard Richter
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You can compare it to dreams: you have a very specific and individual pictorial language that you either accept or that you can translate rashly and wrongly. Of course, you can ignore dreams, but that would be a shame, because they're useful.
Gerhard Richter
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Form is all we have to help us cope with fundamentally chaotic facts and assaults. Formulating something is a great start. I trust form, trust my feeling or capacity to find the right form for something. Even if that is only by being well organized. That too is form.
Gerhard Richter
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I don't believe in the reality of painting, so I use different styles like clothes: it's a way to disguise myself.
Gerhard Richter
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I don't mistrust reality, of which I know next to nothing. I mistrust the picture of reality conveyed to us by our senses, which is imperfect and circumscribed.
Gerhard Richter
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The reason these paintings are destined for New York is not because I am disappointed about a lack of German interest, but because MoMA asked me, and because I consider it to be the best museum in the world.
Gerhard Richter
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It's that same quality I've been talking about. It's neither contrived, nor surprising and smart, not baffling, not witty, not interesting, not cynical, it can't be planned and it probably can't even be described. It's just good.
Gerhard Richter
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Abstract pictures are fictive models, because they make visible a reality that we can neither see nor describe, but whose existence we can postulate.
Gerhard Richter
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Illusion - or rather appearance, semblance - is the theme of my life (could be theme of speech welcoming freshmen to the Academy). All that is, seems, and is visible to us because we perceive it by the reflected light of semblance. Nothing else is visible.
Gerhard Richter
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When I look back on the townscapes now, they do seem to me to recall certain images of the destruction of Dresden during the war.
Gerhard Richter
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To talk about paintings is not only difficult but perhaps pointless too. You can only express in words what words are capable of expressing-- what language can communicate. Painting has nothing to do with that.
Gerhard Richter
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These pictures possibly give rise to questions of political content or historical truth. Neither interests me in this instance. And although even my motivation for painting them is probably of no significance, I am trying to put a name to it here, as an articulation, parallel to the pictures, as it were, of my disquiet and of my opinion.
Gerhard Richter
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Well, I don't believe there are subjects that can't be painted, but there are a lot of things that I personally can't paint.
Gerhard Richter
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Based on mixtures of the three primary colours, along with black and white, I come up with a certain number of possible colours and, by multiplying these by two or four, I obtain a definite number of colour fields that I multiply yet again by two, etc. But the complete realization of this project demands a great deal of time and work.
Gerhard Richter
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Talk about painting: there's no point. By conveying a thing through the medium of language, you change it. You construct qualities that can be said, and you leave out the ones that can't be said but are always the most important.
Gerhard Richter
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As far as the surface is concerned - oil on canvas, conventionally applied - my pictures have little to do with the original photograph. They are totally painting (whatever that may mean). On the other hand, they are so like the photograph that the thing that distinguished the photograph from all other pictures remains intact.
Gerhard Richter
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Painting pictures is simply the official, the daily work, the profession, and in the case of the watercolours I can sooner afford to follow my mood, my spirits.
Gerhard Richter
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In 1981, I think, for the Kunsthalle in Düsseldorf. Before that I designed a mirror room for Kasper König's Westkunst show, but it was never built. All that exists is the design - four mirrors for one room.
Gerhard Richter
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Without form, communication stops... without form, you have everybody burbling on to themselves, whenever and however, things that no one else can understand and - rightly - no one else is interested in.
Gerhard Richter