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I never worked at painting as if it were a job it was always out of interest or for fun, a desire to try something.

Gerhard Richter

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Gerhard Richter
Age: 92
Born: 1932
Born: February 9
Illustrator
Painter
Photographer
University Teacher
Visual Artist
Elbflorenz
Gehede Lixite
Geruharuto Rihitā
Gerd Richter
Trying
Something
Always
Worked
Never
Painting
Fun
Interest
Desire
Jobs

More quotes by Gerhard Richter

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I was a student, and as such you generally rely on prior models of how to make art, but these were not satisfying. Then I discovered in photos what had been missing in paintings namely that they make a terrific variety of statements and have great substance. That is what I wanted to convey to paintings and apply to it.
Gerhard Richter
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All photographs are far more important than any painting.
Gerhard Richter
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In 1981, I think, for the Kunsthalle in Düsseldorf. Before that I designed a mirror room for Kasper König's Westkunst show, but it was never built. All that exists is the design - four mirrors for one room.
Gerhard Richter
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I go to the studio every day, but I dont paint every day. I love playing with my architectural models. I love making plans. I could spend my life arranging things.
Gerhard Richter
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The smudging makes the paintings a bit more complete. When they're not blurred, so many details seem wrong, and the whole thing is wrong too. Then smudging can help make the painting invincible, surreal, more enigmatic - that's how easy it is.
Gerhard Richter
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The reason these paintings are destined for New York is not because I am disappointed about a lack of German interest, but because MoMA asked me, and because I consider it to be the best museum in the world.
Gerhard Richter
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Art should be serious, not a joke. I dont like to laugh about art.
Gerhard Richter
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Well, I don't believe there are subjects that can't be painted, but there are a lot of things that I personally can't paint.
Gerhard Richter
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To believe, one must have lost God. To paint, one must have lost art.
Gerhard Richter
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I have no motif, only motivation. I believe that motivation is the real thing, the natural thing, and that the motif is old-fashioned, even reactionary (as stupid as the question about the meaning of life)
Gerhard Richter
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Maybe we didn't even have a chance. The message of American Pop Art was so powerful and so optimistic. But it was also very limited, and that led us to believe that we could somehow distance ourselves from it and communicate a different intention.
Gerhard Richter
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I find the Romantic period extraordinarily interesting. My landscapes have connections with Romanticism: at times I feel a real desire for, an attraction to, this period, and some of my pictures are a homage to Caspar David Friedrich.
Gerhard Richter
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It is a danger to wait around for an idea to occur to you. You have to find the idea.
Gerhard Richter
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Only about one per cent of my paintings show family members. Do they help me deal with problems? It's likely that these problems can only be depicted. But photographs, private ones and others, keep appearing that fascinate me so much that I want to paint them. And sometimes the real meaning these images have for me only becomes apparent later.
Gerhard Richter
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How could one be in this world without feeling dismayed by it? Even if one paints flowers and gingerbread.
Gerhard Richter
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Art shows us how to see things that are constructive and good, and to be an active part of that.
Gerhard Richter
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I pursue no intentions, no directions I have no program, no style and no mission.
Gerhard Richter
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Cage is much more disciplined. He made chance a method and used it in constructive ways I never did that. Everything here is a little more chaotic.
Gerhard Richter
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Talk about painting: there's no point. By conveying a thing through the medium of language, you change it. You construct qualities that can be said, and you leave out the ones that can't be said but are always the most important.
Gerhard Richter
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Illusion - or rather appearance, semblance - is the theme of my life (could be theme of speech welcoming freshmen to the Academy). All that is, seems, and is visible to us because we perceive it by the reflected light of semblance. Nothing else is visible.
Gerhard Richter