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I pursue no intentions, no directions I have no program, no style and no mission.

Gerhard Richter

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Gerhard Richter
Age: 92
Born: 1932
Born: February 9
Illustrator
Painter
Photographer
University Teacher
Visual Artist
Elbflorenz
Gehede Lixite
Geruharuto Rihitā
Gerd Richter
Intention
Program
Style
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Intentions
Mission
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More quotes by Gerhard Richter

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What counts isn't being able to do a thing, it's seeing what it is. Seeing is the decisive act, and ultimately it places the maker and the viewer on the same level.
Gerhard Richter
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Now there are no priests or philosophers left, artists are the most important people in the world.
Gerhard Richter
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Art should be serious, not a joke. I dont like to laugh about art.
Gerhard Richter
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I would like to try to understand what is. We know very little, and I am trying to do it by creating analogies. Almost every work of art is an analogy.
Gerhard Richter
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I have no motif, only motivation. I believe that motivation is the real thing, the natural thing, and that the motif is old-fashioned, even reactionary (as stupid as the question about the meaning of life)
Gerhard Richter
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To believe, one must have lost God. To paint, one must have lost art.
Gerhard Richter
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Only about one per cent of my paintings show family members. Do they help me deal with problems? It's likely that these problems can only be depicted. But photographs, private ones and others, keep appearing that fascinate me so much that I want to paint them. And sometimes the real meaning these images have for me only becomes apparent later.
Gerhard Richter
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When I look back on the townscapes now, they do seem to me to recall certain images of the destruction of Dresden during the war.
Gerhard Richter
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There is sorrow, but I hope one can see that it is sorrow for the people who died so young and so crazy, for nothing. I have respect for them, but also for their wishes, or for the power of their wishes. Because they tried to change the stupid things in the world.
Gerhard Richter
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In 1981, I think, for the Kunsthalle in Düsseldorf. Before that I designed a mirror room for Kasper König's Westkunst show, but it was never built. All that exists is the design - four mirrors for one room.
Gerhard Richter
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Maybe we didn't even have a chance. The message of American Pop Art was so powerful and so optimistic. But it was also very limited, and that led us to believe that we could somehow distance ourselves from it and communicate a different intention.
Gerhard Richter
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To talk about paintings is not only difficult but perhaps pointless too. You can only express in words what words are capable of expressing-- what language can communicate. Painting has nothing to do with that.
Gerhard Richter
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Based on mixtures of the three primary colours, along with black and white, I come up with a certain number of possible colours and, by multiplying these by two or four, I obtain a definite number of colour fields that I multiply yet again by two, etc. But the complete realization of this project demands a great deal of time and work.
Gerhard Richter
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How could one be in this world without feeling dismayed by it? Even if one paints flowers and gingerbread.
Gerhard Richter
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I never worked at painting as if it were a job it was always out of interest or for fun, a desire to try something.
Gerhard Richter
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Well, I don't believe there are subjects that can't be painted, but there are a lot of things that I personally can't paint.
Gerhard Richter
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I believe that he knew more what he was doing. I might be absolutely wrong about this, but that was my impression.
Gerhard Richter
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I'm never really sure what that word means, but however inaccurately I use it, 'classical' was always my ideal, as long as I can remember, and something of that has always stayed with me, to this day. Of course, there were difficulties, because in comparison to my ideal, I didn't even come close.
Gerhard Richter
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Theory has nothing to do with a work of art. Pictures which are interpretable, and which contain a meaning, are bad pictures. A picture presents itself as the Unmanageable, the Illogical, the Meaningless.
Gerhard Richter
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I believe I am looking for rightness. My work has so much to do with reality that I wanted to have a corresponding rightness. That excludes painting in imitation. In nature everything is always right: the structure is right, the proportions are good, the colours fit the forms. If you imitate that in painting, it becomes false.
Gerhard Richter