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I pursue no intentions, no directions I have no program, no style and no mission.

Gerhard Richter

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Gerhard Richter
Age: 92
Born: 1932
Born: February 9
Illustrator
Painter
Photographer
University Teacher
Visual Artist
Elbflorenz
Gehede Lixite
Geruharuto Rihitā
Gerd Richter
Style
Directions
Intentions
Mission
Missions
Pursue
Intention
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More quotes by Gerhard Richter

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Cage is much more disciplined. He made chance a method and used it in constructive ways I never did that. Everything here is a little more chaotic.
Gerhard Richter
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I find the Romantic period extraordinarily interesting. My landscapes have connections with Romanticism: at times I feel a real desire for, an attraction to, this period, and some of my pictures are a homage to Caspar David Friedrich.
Gerhard Richter
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Art is the pure realization of religious feeling, capacity for faith, longing for God. ... The ability to believe is our outstanding quality, and only art adequately translates it into reality. But when we assuage our need for faith with an ideology we court disaster.
Gerhard Richter
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How could one be in this world without feeling dismayed by it? Even if one paints flowers and gingerbread.
Gerhard Richter
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The year is always correct, also the month, only the day can be another. But that occurs to me only in the moment of writing it down.
Gerhard Richter
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Above all, it's never blind chance: it's a chance that is always planned, but also always surprising. And I need it in order to carry on, in order to eradicate my mistakes, to destroy what I've worked out wrong, to introduce something different and disruptive. I'm often astonished to find how much better chance is than I am.
Gerhard Richter
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To make a photograph is already the first artificial act.
Gerhard Richter
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If the abstract paintings show my reality, then the landscapes and still-lifes show my yearning.
Gerhard Richter
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Abstract pictures are fictive models, because they make visible a reality that we can neither see nor describe, but whose existence we can postulate.
Gerhard Richter
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My work has so much to do with reality that I wanted to have a corresponding rightness. That excludes painting in imitation.
Gerhard Richter
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Not the victims of any specific ideology of the left or of the right, but of the ideological posture as such. This has to do with the everlasting human dilemma in general: to work for a revolution and fail.
Gerhard Richter
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I believe that he knew more what he was doing. I might be absolutely wrong about this, but that was my impression.
Gerhard Richter
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My paintings are wiser than I am.
Gerhard Richter
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Without form, communication stops... without form, you have everybody burbling on to themselves, whenever and however, things that no one else can understand and - rightly - no one else is interested in.
Gerhard Richter
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Form is all we have to help us cope with fundamentally chaotic facts and assaults. Formulating something is a great start. I trust form, trust my feeling or capacity to find the right form for something. Even if that is only by being well organized. That too is form.
Gerhard Richter
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I'm never really sure what that word means, but however inaccurately I use it, 'classical' was always my ideal, as long as I can remember, and something of that has always stayed with me, to this day. Of course, there were difficulties, because in comparison to my ideal, I didn't even come close.
Gerhard Richter
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The smudging makes the paintings a bit more complete. When they're not blurred, so many details seem wrong, and the whole thing is wrong too. Then smudging can help make the painting invincible, surreal, more enigmatic - that's how easy it is.
Gerhard Richter
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Well, I don't believe there are subjects that can't be painted, but there are a lot of things that I personally can't paint.
Gerhard Richter
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... landscapes or still-lifes I paint in between the abstract works they constitute about one-tenth of my production. On the one hand they are useful, because I like to work from nature - although I do use a photograph - because I think that any detail from nature has a logic I would like to see in abstraction as well.
Gerhard Richter
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I believe I am looking for rightness. My work has so much to do with reality that I wanted to have a corresponding rightness. That excludes painting in imitation. In nature everything is always right: the structure is right, the proportions are good, the colours fit the forms. If you imitate that in painting, it becomes false.
Gerhard Richter