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If I don't know what's coming - that is, if I have no hard-and-fast image, as I have with a photographic original - then arbitrary choice and chance play an important part.
Gerhard Richter
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Gerhard Richter
Age: 92
Born: 1932
Born: February 9
Illustrator
Painter
Photographer
University Teacher
Visual Artist
Elbflorenz
Gehede Lixite
Geruharuto Rihitā
Gerd Richter
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Originals
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Original
Hard
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Important
Image
Choice
Coming
Choices
Photographic
Chance
Arbitrary
More quotes by Gerhard Richter
To make a photograph is already the first artificial act.
Gerhard Richter
You can compare it to dreams: you have a very specific and individual pictorial language that you either accept or that you can translate rashly and wrongly. Of course, you can ignore dreams, but that would be a shame, because they're useful.
Gerhard Richter
How could one be in this world without feeling dismayed by it? Even if one paints flowers and gingerbread.
Gerhard Richter
... landscapes or still-lifes I paint in between the abstract works they constitute about one-tenth of my production. On the one hand they are useful, because I like to work from nature - although I do use a photograph - because I think that any detail from nature has a logic I would like to see in abstraction as well.
Gerhard Richter
To talk about paintings is not only difficult but perhaps pointless too. You can only express in words what words are capable of expressing-- what language can communicate. Painting has nothing to do with that.
Gerhard Richter
Based on mixtures of the three primary colours, along with black and white, I come up with a certain number of possible colours and, by multiplying these by two or four, I obtain a definite number of colour fields that I multiply yet again by two, etc. But the complete realization of this project demands a great deal of time and work.
Gerhard Richter
I'm never really sure what that word means, but however inaccurately I use it, 'classical' was always my ideal, as long as I can remember, and something of that has always stayed with me, to this day. Of course, there were difficulties, because in comparison to my ideal, I didn't even come close.
Gerhard Richter
Composition is a side issue. Its role in my selection of photographs is a negative one at best. By which I mean that the fascination of a photograph is not in its eccentric composition but in what it has to say: its information content. And, on the other hand, composition always also has its own fortuitous rightness.
Gerhard Richter
The photograph is the most perfect picture. It does not change it is absolute, and therefore autonomous, unconditional, devoid of style. Both in its way of informing, and in what it informs of, it is my source.
Gerhard Richter
Art is the ideal medium for making contact with the transcendental, or at least for getting close to it.
Gerhard Richter
If the abstract paintings show my reality, then the landscapes and still-lifes show my yearning.
Gerhard Richter
Throwaway snapshots come closest to achieving the state of pure picture.
Gerhard Richter
Art should be serious, not a joke. I dont like to laugh about art.
Gerhard Richter
I pursue no intentions, no directions I have no program, no style and no mission.
Gerhard Richter
The Atlas belongs to the Lenbachhaus in Munich - it's long since ceased to belong to me. Occasionally I run across it somewhere, and I think it's interesting because it looks different each time.
Gerhard Richter
I am thankful that the church exists, thankful that it has done such great things, giving us laws, for instance - 'thou shalt' and 'thou shalt not', and established Goodness and Evil. That's what all religions do, and as soon as we try to replace them, worldly religions like fascism and communism take over.
Gerhard Richter
I often need a long time to understand things, to imagine a painting I might make.
Gerhard Richter
In 1981, I think, for the Kunsthalle in Düsseldorf. Before that I designed a mirror room for Kasper König's Westkunst show, but it was never built. All that exists is the design - four mirrors for one room.
Gerhard Richter
I go to the studio every day, but I dont paint every day. I love playing with my architectural models. I love making plans. I could spend my life arranging things.
Gerhard Richter
When I paint from a photograph, conscious thinking is eliminated. I don't know what I am doing. My work is far closer to the Informel than to any kind of 'realism'. The photograph has an abstraction of its own, which is not easy to see through.
Gerhard Richter