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I believe that he knew more what he was doing. I might be absolutely wrong about this, but that was my impression.
Gerhard Richter
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Gerhard Richter
Age: 92
Born: 1932
Born: February 9
Illustrator
Painter
Photographer
University Teacher
Visual Artist
Elbflorenz
Gehede Lixite
Geruharuto Rihitā
Gerd Richter
Impression
Absolutely
Painting
Knew
Wrong
Art
Might
Believe
More quotes by Gerhard Richter
Only about one per cent of my paintings show family members. Do they help me deal with problems? It's likely that these problems can only be depicted. But photographs, private ones and others, keep appearing that fascinate me so much that I want to paint them. And sometimes the real meaning these images have for me only becomes apparent later.
Gerhard Richter
The reason these paintings are destined for New York is not because I am disappointed about a lack of German interest, but because MoMA asked me, and because I consider it to be the best museum in the world.
Gerhard Richter
Composition is a side issue. Its role in my selection of photographs is a negative one at best. By which I mean that the fascination of a photograph is not in its eccentric composition but in what it has to say: its information content. And, on the other hand, composition always also has its own fortuitous rightness.
Gerhard Richter
I go to the studio every day, but I dont paint every day. I love playing with my architectural models. I love making plans. I could spend my life arranging things.
Gerhard Richter
I do not mistrust reality, of which I know next to nothing, but I am suspicious regarding the image of reality which our senses convey to us, and which is incomplete and limited. Our eyes have developed such as to survive. It is merely coincidence that we can see stars with them, as well.
Gerhard Richter
Art is the ideal medium for making contact with the transcendental, or at least for getting close to it.
Gerhard Richter
What counts isn't being able to do a thing, it's seeing what it is. Seeing is the decisive act, and ultimately it places the maker and the viewer on the same level.
Gerhard Richter
I have no motif, only motivation. I believe that motivation is the real thing, the natural thing, and that the motif is old-fashioned, even reactionary (as stupid as the question about the meaning of life)
Gerhard Richter
The grey is certainly inspired by the photo-paintings, and, of course, it's related to the fact that I think grey is an important colour - the ideal colour for indifference, fence-sitting, keeping quiet, despair. In other words, for states of being and situations that affect one, and for which one would like to find a visual expression.
Gerhard Richter
These pictures possibly give rise to questions of political content or historical truth. Neither interests me in this instance. And although even my motivation for painting them is probably of no significance, I am trying to put a name to it here, as an articulation, parallel to the pictures, as it were, of my disquiet and of my opinion.
Gerhard Richter
Art should be serious, not a joke. I dont like to laugh about art.
Gerhard Richter
To make a photograph is already the first artificial act.
Gerhard Richter
Cage is much more disciplined. He made chance a method and used it in constructive ways I never did that. Everything here is a little more chaotic.
Gerhard Richter
They are specific places I have discovered here and there when I am on the road to take photos. I go especially to take photos.
Gerhard Richter
Illusion - or rather appearance, semblance - is the theme of my life (could be theme of speech welcoming freshmen to the Academy). All that is, seems, and is visible to us because we perceive it by the reflected light of semblance. Nothing else is visible.
Gerhard Richter
The political topicality of my October paintings means almost nothing to me, but in many reviews it is the first or only thing that arouses interest, and the response to the pictures varies according to current political circumstance. I find this rather a distraction.
Gerhard Richter
I believe that you always have to believe. It's the only way after all we both believe that we will do this exhibition. But I can't believe in God, as such, he's either too big or too small for me, and always incomprehensible, unbelievable.
Gerhard Richter
Talk about painting: there's no point. By conveying a thing through the medium of language, you change it. You construct qualities that can be said, and you leave out the ones that can't be said but are always the most important.
Gerhard Richter
In 1981, I think, for the Kunsthalle in Düsseldorf. Before that I designed a mirror room for Kasper König's Westkunst show, but it was never built. All that exists is the design - four mirrors for one room.
Gerhard Richter
The smudging makes the paintings a bit more complete. When they're not blurred, so many details seem wrong, and the whole thing is wrong too. Then smudging can help make the painting invincible, surreal, more enigmatic - that's how easy it is.
Gerhard Richter
