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I find the Romantic period extraordinarily interesting. My landscapes have connections with Romanticism: at times I feel a real desire for, an attraction to, this period, and some of my pictures are a homage to Caspar David Friedrich.

Gerhard Richter

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Gerhard Richter
Age: 92
Born: 1932
Born: February 9
Illustrator
Painter
Photographer
University Teacher
Visual Artist
Elbflorenz
Gehede Lixite
Geruharuto Rihitā
Gerd Richter
Desire
Landscape
Friedrich
Art
Pictures
Romanticism
Find
Connections
Landscapes
Feel
Period
Extraordinarily
Feels
Periods
Homage
Real
Painting
David
Interesting
Attraction
Times
Romantic

More quotes by Gerhard Richter

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Form is all we have to help us cope with fundamentally chaotic facts and assaults. Formulating something is a great start. I trust form, trust my feeling or capacity to find the right form for something. Even if that is only by being well organized. That too is form.
Gerhard Richter
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Illusion - or rather appearance, semblance - is the theme of my life (could be theme of speech welcoming freshmen to the Academy). All that is, seems, and is visible to us because we perceive it by the reflected light of semblance. Nothing else is visible.
Gerhard Richter
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To make a photograph is already the first artificial act.
Gerhard Richter
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Abstract pictures are fictive models, because they make visible a reality that we can neither see nor describe, but whose existence we can postulate.
Gerhard Richter
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Art is the ideal medium for making contact with the transcendental, or at least for getting close to it.
Gerhard Richter
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I have no motif, only motivation. I believe that motivation is the real thing, the natural thing, and that the motif is old-fashioned, even reactionary (as stupid as the question about the meaning of life)
Gerhard Richter
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... landscapes or still-lifes I paint in between the abstract works they constitute about one-tenth of my production. On the one hand they are useful, because I like to work from nature - although I do use a photograph - because I think that any detail from nature has a logic I would like to see in abstraction as well.
Gerhard Richter
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I like everything that has no style: dictionaries, photographs, nature, myself and my paintings. (Because style is violent, and I am not violent.)
Gerhard Richter
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I often need a long time to understand things, to imagine a painting I might make.
Gerhard Richter
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Talk about painting: there's no point. By conveying a thing through the medium of language, you change it. You construct qualities that can be said, and you leave out the ones that can't be said but are always the most important.
Gerhard Richter
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The photograph is the only picture that can truly convey information, even if it is technically faulty and the object can barely be identified. A painting of a murder is of no interest whatever but a photograph of a murder fascinates everyone.
Gerhard Richter
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The Atlas belongs to the Lenbachhaus in Munich - it's long since ceased to belong to me. Occasionally I run across it somewhere, and I think it's interesting because it looks different each time.
Gerhard Richter
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The smudging makes the paintings a bit more complete. When they're not blurred, so many details seem wrong, and the whole thing is wrong too. Then smudging can help make the painting invincible, surreal, more enigmatic - that's how easy it is.
Gerhard Richter
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My paintings are wiser than I am.
Gerhard Richter
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Composition is a side issue. Its role in my selection of photographs is a negative one at best. By which I mean that the fascination of a photograph is not in its eccentric composition but in what it has to say: its information content. And, on the other hand, composition always also has its own fortuitous rightness.
Gerhard Richter
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It's that same quality I've been talking about. It's neither contrived, nor surprising and smart, not baffling, not witty, not interesting, not cynical, it can't be planned and it probably can't even be described. It's just good.
Gerhard Richter
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I believe that he knew more what he was doing. I might be absolutely wrong about this, but that was my impression.
Gerhard Richter
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It is a danger to wait around for an idea to occur to you. You have to find the idea.
Gerhard Richter
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I would like to try to understand what is. We know very little, and I am trying to do it by creating analogies. Almost every work of art is an analogy.
Gerhard Richter
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I never worked at painting as if it were a job it was always out of interest or for fun, a desire to try something.
Gerhard Richter