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I wanted to make it as anonymous as a photo. But it was perhaps also the wish for perfection, the unapproachable, which then means loss of immediacy. Something is missing then, though that is why I gave that up.

Gerhard Richter

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Gerhard Richter
Age: 92
Born: 1932
Born: February 9
Illustrator
Painter
Photographer
University Teacher
Visual Artist
Elbflorenz
Gehede Lixite
Geruharuto Rihitā
Gerd Richter
Wanted
Missing
Mean
Loss
Unapproachable
Something
Perhaps
Immediacy
Make
Though
Anonymous
Wish
Photo
Means
Technique
Art
Perfection
Also
Gave

More quotes by Gerhard Richter

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Painting is consequently an almost blind, desperate effort, like that of a person abandoned, helpless, in totally incomprehensible surroundings.
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I believe that he knew more what he was doing. I might be absolutely wrong about this, but that was my impression.
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I have no motif, only motivation. I believe that motivation is the real thing, the natural thing, and that the motif is old-fashioned, even reactionary (as stupid as the question about the meaning of life)
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You can compare it to dreams: you have a very specific and individual pictorial language that you either accept or that you can translate rashly and wrongly. Of course, you can ignore dreams, but that would be a shame, because they're useful.
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The reason these paintings are destined for New York is not because I am disappointed about a lack of German interest, but because MoMA asked me, and because I consider it to be the best museum in the world.
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I don't mistrust reality, of which I know next to nothing. I mistrust the picture of reality conveyed to us by our senses, which is imperfect and circumscribed.
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The year is always correct, also the month, only the day can be another. But that occurs to me only in the moment of writing it down.
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I never worked at painting as if it were a job it was always out of interest or for fun, a desire to try something.
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When I look back on the townscapes now, they do seem to me to recall certain images of the destruction of Dresden during the war.
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The photograph is the only picture that can truly convey information, even if it is technically faulty and the object can barely be identified. A painting of a murder is of no interest whatever but a photograph of a murder fascinates everyone.
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I pursue no intentions, no directions I have no program, no style and no mission.
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Art shows us how to see things that are constructive and good, and to be an active part of that.
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Without form, communication stops... without form, you have everybody burbling on to themselves, whenever and however, things that no one else can understand and - rightly - no one else is interested in.
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Cage is much more disciplined. He made chance a method and used it in constructive ways I never did that. Everything here is a little more chaotic.
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What counts isn't being able to do a thing, it's seeing what it is. Seeing is the decisive act, and ultimately it places the maker and the viewer on the same level.
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Theory has nothing to do with a work of art. Pictures which are interpretable, and which contain a meaning, are bad pictures. A picture presents itself as the Unmanageable, the Illogical, the Meaningless.
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I believe that you always have to believe. It's the only way after all we both believe that we will do this exhibition. But I can't believe in God, as such, he's either too big or too small for me, and always incomprehensible, unbelievable.
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Painting is traditional but for me that doesn't mean the academy. I felt a need to paint I love painting. It was something natural - as is listening to music or playing an instrument for some people. For this reason I searched for themes of my era and my generation. Photography offered this, so I chose it as a medium for painting.
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I don't believe in the reality of painting, so I use different styles like clothes: it's a way to disguise myself.
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There is sorrow, but I hope one can see that it is sorrow for the people who died so young and so crazy, for nothing. I have respect for them, but also for their wishes, or for the power of their wishes. Because they tried to change the stupid things in the world.
Gerhard Richter