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The Atlas belongs to the Lenbachhaus in Munich - it's long since ceased to belong to me. Occasionally I run across it somewhere, and I think it's interesting because it looks different each time.
Gerhard Richter
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Gerhard Richter
Age: 92
Born: 1932
Born: February 9
Illustrator
Painter
Photographer
University Teacher
Visual Artist
Elbflorenz
Gehede Lixite
Geruharuto Rihitā
Gerd Richter
Time
Across
Think
Since
Munich
Thinking
Interesting
Atlas
Running
Ceased
Art
Occasionally
Looks
Belongs
Different
Belong
Long
Somewhere
More quotes by Gerhard Richter
To make a photograph is already the first artificial act.
Gerhard Richter
I wanted to make it as anonymous as a photo. But it was perhaps also the wish for perfection, the unapproachable, which then means loss of immediacy. Something is missing then, though that is why I gave that up.
Gerhard Richter
They are specific places I have discovered here and there when I am on the road to take photos. I go especially to take photos.
Gerhard Richter
I would like to try to understand what is. We know very little, and I am trying to do it by creating analogies. Almost every work of art is an analogy.
Gerhard Richter
I do not mistrust reality, of which I know next to nothing, but I am suspicious regarding the image of reality which our senses convey to us, and which is incomplete and limited. Our eyes have developed such as to survive. It is merely coincidence that we can see stars with them, as well.
Gerhard Richter
I never worked at painting as if it were a job it was always out of interest or for fun, a desire to try something.
Gerhard Richter
It's that same quality I've been talking about. It's neither contrived, nor surprising and smart, not baffling, not witty, not interesting, not cynical, it can't be planned and it probably can't even be described. It's just good.
Gerhard Richter
Throwaway snapshots come closest to achieving the state of pure picture.
Gerhard Richter
Painting is traditional but for me that doesn't mean the academy. I felt a need to paint I love painting. It was something natural - as is listening to music or playing an instrument for some people. For this reason I searched for themes of my era and my generation. Photography offered this, so I chose it as a medium for painting.
Gerhard Richter
... landscapes or still-lifes I paint in between the abstract works they constitute about one-tenth of my production. On the one hand they are useful, because I like to work from nature - although I do use a photograph - because I think that any detail from nature has a logic I would like to see in abstraction as well.
Gerhard Richter
My work has so much to do with reality that I wanted to have a corresponding rightness. That excludes painting in imitation.
Gerhard Richter
Only about one per cent of my paintings show family members. Do they help me deal with problems? It's likely that these problems can only be depicted. But photographs, private ones and others, keep appearing that fascinate me so much that I want to paint them. And sometimes the real meaning these images have for me only becomes apparent later.
Gerhard Richter
Talk about painting: there's no point. By conveying a thing through the medium of language, you change it. You construct qualities that can be said, and you leave out the ones that can't be said but are always the most important.
Gerhard Richter
I was a student, and as such you generally rely on prior models of how to make art, but these were not satisfying. Then I discovered in photos what had been missing in paintings namely that they make a terrific variety of statements and have great substance. That is what I wanted to convey to paintings and apply to it.
Gerhard Richter
Turning to the colour-classification methodology: The starting point are the four pure colours red, yellow, green and blue their in-between shades and scales of brightness result in colour schemes containing 16, 64, 256 and 1,024 shades. More colours would be pointless because it wouldn't be possible to distinguish between them clearly.
Gerhard Richter
Not the victims of any specific ideology of the left or of the right, but of the ideological posture as such. This has to do with the everlasting human dilemma in general: to work for a revolution and fail.
Gerhard Richter
Maybe we didn't even have a chance. The message of American Pop Art was so powerful and so optimistic. But it was also very limited, and that led us to believe that we could somehow distance ourselves from it and communicate a different intention.
Gerhard Richter
Theory has nothing to do with a work of art. Pictures which are interpretable, and which contain a meaning, are bad pictures. A picture presents itself as the Unmanageable, the Illogical, the Meaningless.
Gerhard Richter
I am ridiculously old-fashioned.
Gerhard Richter
How could one be in this world without feeling dismayed by it? Even if one paints flowers and gingerbread.
Gerhard Richter
