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How could one be in this world without feeling dismayed by it? Even if one paints flowers and gingerbread.
Gerhard Richter
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Gerhard Richter
Age: 92
Born: 1932
Born: February 9
Illustrator
Painter
Photographer
University Teacher
Visual Artist
Elbflorenz
Gehede Lixite
Geruharuto Rihitā
Gerd Richter
World
Paints
Flowers
Paint
Flower
Feeling
Feelings
Without
Gingerbread
Even
Dismayed
More quotes by Gerhard Richter
When I paint from a photograph, conscious thinking is eliminated. I don't know what I am doing. My work is far closer to the Informel than to any kind of 'realism'. The photograph has an abstraction of its own, which is not easy to see through.
Gerhard Richter
You can compare it to dreams: you have a very specific and individual pictorial language that you either accept or that you can translate rashly and wrongly. Of course, you can ignore dreams, but that would be a shame, because they're useful.
Gerhard Richter
I am ridiculously old-fashioned.
Gerhard Richter
All photographs are far more important than any painting.
Gerhard Richter
I believe that you always have to believe. It's the only way after all we both believe that we will do this exhibition. But I can't believe in God, as such, he's either too big or too small for me, and always incomprehensible, unbelievable.
Gerhard Richter
I believe I am looking for rightness. My work has so much to do with reality that I wanted to have a corresponding rightness. That excludes painting in imitation. In nature everything is always right: the structure is right, the proportions are good, the colours fit the forms. If you imitate that in painting, it becomes false.
Gerhard Richter
I go to the studio every day, but I dont paint every day. I love playing with my architectural models. I love making plans. I could spend my life arranging things.
Gerhard Richter
Art is the ideal medium for making contact with the transcendental, or at least for getting close to it.
Gerhard Richter
Based on mixtures of the three primary colours, along with black and white, I come up with a certain number of possible colours and, by multiplying these by two or four, I obtain a definite number of colour fields that I multiply yet again by two, etc. But the complete realization of this project demands a great deal of time and work.
Gerhard Richter
My work has so much to do with reality that I wanted to have a corresponding rightness. That excludes painting in imitation.
Gerhard Richter
I was a student, and as such you generally rely on prior models of how to make art, but these were not satisfying. Then I discovered in photos what had been missing in paintings namely that they make a terrific variety of statements and have great substance. That is what I wanted to convey to paintings and apply to it.
Gerhard Richter
I'm never really sure what that word means, but however inaccurately I use it, 'classical' was always my ideal, as long as I can remember, and something of that has always stayed with me, to this day. Of course, there were difficulties, because in comparison to my ideal, I didn't even come close.
Gerhard Richter
To believe, one must have lost God. To paint, one must have lost art.
Gerhard Richter
These pictures possibly give rise to questions of political content or historical truth. Neither interests me in this instance. And although even my motivation for painting them is probably of no significance, I am trying to put a name to it here, as an articulation, parallel to the pictures, as it were, of my disquiet and of my opinion.
Gerhard Richter
I see the bomber pictures as an anti-war statement... which they aren't - at all. Pictures like that don't do anything to combat war. They only show one tiny aspect of the subject of war - maybe only my own childish feelings of fear and fascination with war and with weapons of that kind.
Gerhard Richter
Painting pictures is simply the official, the daily work, the profession, and in the case of the watercolours I can sooner afford to follow my mood, my spirits.
Gerhard Richter
... landscapes or still-lifes I paint in between the abstract works they constitute about one-tenth of my production. On the one hand they are useful, because I like to work from nature - although I do use a photograph - because I think that any detail from nature has a logic I would like to see in abstraction as well.
Gerhard Richter
Illusion - or rather appearance, semblance - is the theme of my life (could be theme of speech welcoming freshmen to the Academy). All that is, seems, and is visible to us because we perceive it by the reflected light of semblance. Nothing else is visible.
Gerhard Richter
I don't believe in the reality of painting, so I use different styles like clothes: it's a way to disguise myself.
Gerhard Richter
Abstract pictures are fictive models, because they make visible a reality that we can neither see nor describe, but whose existence we can postulate.
Gerhard Richter
