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I have no motif, only motivation. I believe that motivation is the real thing, the natural thing, and that the motif is old-fashioned, even reactionary (as stupid as the question about the meaning of life)
Gerhard Richter
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Gerhard Richter
Age: 92
Born: 1932
Born: February 9
Illustrator
Painter
Photographer
University Teacher
Visual Artist
Elbflorenz
Gehede Lixite
Geruharuto Rihitā
Gerd Richter
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More quotes by Gerhard Richter
I don't mistrust reality, of which I know next to nothing. I mistrust the picture of reality conveyed to us by our senses, which is imperfect and circumscribed.
Gerhard Richter
I am thankful that the church exists, thankful that it has done such great things, giving us laws, for instance - 'thou shalt' and 'thou shalt not', and established Goodness and Evil. That's what all religions do, and as soon as we try to replace them, worldly religions like fascism and communism take over.
Gerhard Richter
Maybe we didn't even have a chance. The message of American Pop Art was so powerful and so optimistic. But it was also very limited, and that led us to believe that we could somehow distance ourselves from it and communicate a different intention.
Gerhard Richter
If I don't know what's coming - that is, if I have no hard-and-fast image, as I have with a photographic original - then arbitrary choice and chance play an important part.
Gerhard Richter
To talk about paintings is not only difficult but perhaps pointless too. You can only express in words what words are capable of expressing-- what language can communicate. Painting has nothing to do with that.
Gerhard Richter
These pictures possibly give rise to questions of political content or historical truth. Neither interests me in this instance. And although even my motivation for painting them is probably of no significance, I am trying to put a name to it here, as an articulation, parallel to the pictures, as it were, of my disquiet and of my opinion.
Gerhard Richter
I'm never really sure what that word means, but however inaccurately I use it, 'classical' was always my ideal, as long as I can remember, and something of that has always stayed with me, to this day. Of course, there were difficulties, because in comparison to my ideal, I didn't even come close.
Gerhard Richter
I wanted to make it as anonymous as a photo. But it was perhaps also the wish for perfection, the unapproachable, which then means loss of immediacy. Something is missing then, though that is why I gave that up.
Gerhard Richter
I go to the studio every day, but I dont paint every day. I love playing with my architectural models. I love making plans. I could spend my life arranging things.
Gerhard Richter
I find the Romantic period extraordinarily interesting. My landscapes have connections with Romanticism: at times I feel a real desire for, an attraction to, this period, and some of my pictures are a homage to Caspar David Friedrich.
Gerhard Richter
I like everything that has no style: dictionaries, photographs, nature, myself and my paintings. (Because style is violent, and I am not violent.)
Gerhard Richter
I often need a long time to understand things, to imagine a painting I might make.
Gerhard Richter
Without form, communication stops... without form, you have everybody burbling on to themselves, whenever and however, things that no one else can understand and - rightly - no one else is interested in.
Gerhard Richter
You can compare it to dreams: you have a very specific and individual pictorial language that you either accept or that you can translate rashly and wrongly. Of course, you can ignore dreams, but that would be a shame, because they're useful.
Gerhard Richter
The smudging makes the paintings a bit more complete. When they're not blurred, so many details seem wrong, and the whole thing is wrong too. Then smudging can help make the painting invincible, surreal, more enigmatic - that's how easy it is.
Gerhard Richter
Turning to the colour-classification methodology: The starting point are the four pure colours red, yellow, green and blue their in-between shades and scales of brightness result in colour schemes containing 16, 64, 256 and 1,024 shades. More colours would be pointless because it wouldn't be possible to distinguish between them clearly.
Gerhard Richter
There is sorrow, but I hope one can see that it is sorrow for the people who died so young and so crazy, for nothing. I have respect for them, but also for their wishes, or for the power of their wishes. Because they tried to change the stupid things in the world.
Gerhard Richter
All photographs are far more important than any painting.
Gerhard Richter
The year is always correct, also the month, only the day can be another. But that occurs to me only in the moment of writing it down.
Gerhard Richter
They are specific places I have discovered here and there when I am on the road to take photos. I go especially to take photos.
Gerhard Richter