Share
×
Inspirational Quotes
Authors
Professions
Topics
Tags
Quote
I like everything that has no style: dictionaries, photographs, nature, myself and my paintings. (Because style is violent, and I am not violent.)
Gerhard Richter
Share
Change background
T
T
T
Change font
Original
TAGS & TOPICS
Gerhard Richter
Age: 92
Born: 1932
Born: February 9
Illustrator
Painter
Photographer
University Teacher
Visual Artist
Elbflorenz
Gehede Lixite
Geruharuto Rihitā
Gerd Richter
Painting
Style
Dictionaries
Art
Dictionary
Nature
Paintings
Everything
Photographs
Like
Technique
Violent
Photograph
More quotes by Gerhard Richter
Well, I don't believe there are subjects that can't be painted, but there are a lot of things that I personally can't paint.
Gerhard Richter
To talk about paintings is not only difficult but perhaps pointless too. You can only express in words what words are capable of expressing-- what language can communicate. Painting has nothing to do with that.
Gerhard Richter
The political topicality of my October paintings means almost nothing to me, but in many reviews it is the first or only thing that arouses interest, and the response to the pictures varies according to current political circumstance. I find this rather a distraction.
Gerhard Richter
Art is the pure realization of religious feeling, capacity for faith, longing for God. ... The ability to believe is our outstanding quality, and only art adequately translates it into reality. But when we assuage our need for faith with an ideology we court disaster.
Gerhard Richter
You can compare it to dreams: you have a very specific and individual pictorial language that you either accept or that you can translate rashly and wrongly. Of course, you can ignore dreams, but that would be a shame, because they're useful.
Gerhard Richter
I believe that you always have to believe. It's the only way after all we both believe that we will do this exhibition. But I can't believe in God, as such, he's either too big or too small for me, and always incomprehensible, unbelievable.
Gerhard Richter
The year is always correct, also the month, only the day can be another. But that occurs to me only in the moment of writing it down.
Gerhard Richter
All photographs are far more important than any painting.
Gerhard Richter
I wanted to make it as anonymous as a photo. But it was perhaps also the wish for perfection, the unapproachable, which then means loss of immediacy. Something is missing then, though that is why I gave that up.
Gerhard Richter
The photograph is the most perfect picture. It does not change it is absolute, and therefore autonomous, unconditional, devoid of style. Both in its way of informing, and in what it informs of, it is my source.
Gerhard Richter
When I look back on the townscapes now, they do seem to me to recall certain images of the destruction of Dresden during the war.
Gerhard Richter
Theory has nothing to do with a work of art. Pictures which are interpretable, and which contain a meaning, are bad pictures. A picture presents itself as the Unmanageable, the Illogical, the Meaningless.
Gerhard Richter
I go to the studio every day, but I dont paint every day. I love playing with my architectural models. I love making plans. I could spend my life arranging things.
Gerhard Richter
The grey is certainly inspired by the photo-paintings, and, of course, it's related to the fact that I think grey is an important colour - the ideal colour for indifference, fence-sitting, keeping quiet, despair. In other words, for states of being and situations that affect one, and for which one would like to find a visual expression.
Gerhard Richter
I believe I am looking for rightness. My work has so much to do with reality that I wanted to have a corresponding rightness. That excludes painting in imitation. In nature everything is always right: the structure is right, the proportions are good, the colours fit the forms. If you imitate that in painting, it becomes false.
Gerhard Richter
Illusion - or rather appearance, semblance - is the theme of my life (could be theme of speech welcoming freshmen to the Academy). All that is, seems, and is visible to us because we perceive it by the reflected light of semblance. Nothing else is visible.
Gerhard Richter
I have no motif, only motivation. I believe that motivation is the real thing, the natural thing, and that the motif is old-fashioned, even reactionary (as stupid as the question about the meaning of life)
Gerhard Richter
Painting is traditional but for me that doesn't mean the academy. I felt a need to paint I love painting. It was something natural - as is listening to music or playing an instrument for some people. For this reason I searched for themes of my era and my generation. Photography offered this, so I chose it as a medium for painting.
Gerhard Richter
The reason these paintings are destined for New York is not because I am disappointed about a lack of German interest, but because MoMA asked me, and because I consider it to be the best museum in the world.
Gerhard Richter
If I don't know what's coming - that is, if I have no hard-and-fast image, as I have with a photographic original - then arbitrary choice and chance play an important part.
Gerhard Richter