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Sometimes I want to have a mental book burning that would scour my mind clean of all the filthy visions literature has conjured there. But how to do without 'The Illiad?' How to do without 'Macbeth?

Geraldine Brooks

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Geraldine Brooks
Age: 69
Born: 1955
Born: September 14
Author
Journalist
Novelist
Writer
Sydney
NSW
Literature
Conjured
Book
Macbeth
Without
Filthy
Sometimes
Visions
Mind
Burning
Would
Mental
Clean
Vision
Scour

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I was not 15 anymore, and choices no longer had that same clear, bright edge to them.
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'You've got mail!' exclaims the cheery automaton at America Online. The flag on the mailbox icon waves invitingly on my computer screen. For a second, I'm 10 years old again, waiting for the postman's whistle to slice the stillness of an Australian afternoon.
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Jewish prayers are mostly about daily things - the sliver of a new moon, dew on the grass, the bread and the wine.
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The great thing about being always among people of noble manners was the inevitable elevation of one's own.
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September 11, 2001, revealed heroism in ordinary people who might have gone through their lives never called upon to demonstrate the extent of their courage.
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Yes, it seems we've got this mutant gene in our human personality that makes us susceptible to this same kind of mistake over and over again. It's really uncanny how we build these beautiful multicultural edifices and then allow this switch to be flipped and everybody goes, 'Oh, the other, get them out of here.
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I swim in a sea of words. They flow around me and through me and, by a process that is not fully clear to me, some delicate hidden membrane draws forth the stuff that is the necessary condition of my life.
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...The hagaddah came to Sarajevo for a reason. It was here to test us, to see if there were people who could see that what united us was more than what divided us. That to be a human being matters more than to be a Jew or a Muslim, Catholic or Orthodox. p. 361
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But that Franklin trip changed me profoundly. As I believe wilderness experience changes everyone. Because it puts us in our place. The human place, which our species inhabited for most of its evolutionary life. That place that shaped our psyches and made us who we are. The place where nature is big and we are small.
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Because I worked as a newspaper reporter for about 14 years before attempting my first novel, I learned to write under almost any circumstances- by candle light, in longhand, in African villages where there was no power, under shelling in Kurdistan.
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Even the classics that we read to our young children are full of wolves' fangs and burning ovens and bloody feet and ice shards piercing hearts. Even the New Testament climaxes with an act of unspeakable torture. Might as well just read to our kids from the Amnesty Annual Report and be done with it.
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We were too intelligent, too cynical for war. Of course, you don't have to be stupid and primitive to die a stupid, primitive death.
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Both my mum and dad were great readers, and we would go every Saturday morning to the library, and my sister and I had a library card when we could pass off something as a signature, and all of us would come with an armful of books.
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Here we are, alive, and you and I will have to make it what we can.
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And so, as generally happens, those who have most give least, and those with less somehow make shrift to share.
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How strange it is, Anna. Yesterday, I have filed in my mind as a good day, notwithstanding it was filled with mortal illness and the grieving of the recently bereft. Yet it is a good day, for the simple fact that no one died upon it. We are brought to a sorry state, that we measure what is good by such a shortened yardstick.
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Moral certainty can deafen people to any truth other than their own.
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And one of the things that I learned was you can't generalise at all about a woman in a veil. You can't think you know her story, because she will confound you over and over again. She may be an engineer or a diplomat or a doctor. Or she may be an unbelievable babe with bleached hair down to her waist.
Geraldine Brooks
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I had been afraid of breast cancer, as I suspect most women are, from the time I hit adolescence. At that age, when our emerging sexuality is our central preoccupation, the idea of disfigurement of a breast is particularly horrifying.
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The thing that most attracts me to historical fiction is taking the factual record as far as it is known, using that as scaffolding, and then letting imagination build the structure that fills in those things we can never find out for sure.
Geraldine Brooks