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Limited means often constitute the charm and force of primitive painting. Extension, on the contrary, leads the arts to decadence.
Georges Braque
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Georges Braque
Age: 81 †
Born: 1882
Born: May 13
Died: 1963
Died: August 31
Collagist
Designer
Draftsperson
Engraver
Graphic Artist
Jewelry Designer
Lithographer
Painter
Printmaker
Scenographer
Sculptor
George Braque
G. Braque
S Braque
geo. braque
george braque
Braque
geo braque
George B.
Force
Primitive
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Often
Limited
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Arts
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Decadence
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Extension
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Extensions
More quotes by Georges Braque
Perspective is a ghastly mistake which it has taken four centuries to redress.
Georges Braque
I am much more interested in achieving unison with nature than in copying it.
Georges Braque
With age, art and life become one.
Georges Braque
I like the rule that corrects emotion.
Georges Braque
If we had never met Picasso, would Cubism have been what it is? I think not. The meeting with Picasso was a circumstance in our lives.
Georges Braque
The painter thinks in terms of form and color. The goal is not to be concerned with the reconstitution of an anecdotal fact, but with constitution of a pictorial fact.
Georges Braque
Reality only reveals itself when it is illuminated by a ray of poetry.
Georges Braque
What greatly attracted me - and it was the main line of advance of Cubism - was how to give material expression to this new space of which I had an inkling. So I began to paint chiefly still lifes, because in nature there is a tactile, I would almost say a manual space... that was the earliest Cubist painting - the quest for space.
Georges Braque
Once an object has been incorporated in a picture it accepts a new destiny.
Georges Braque
It is not sufficient that what one paints should be made visible. It must be made tangible.
Georges Braque
Perspective starts from one viewpoint and never gets away from it. But the viewpoint is quite unimportant. It is though someone were to draw profiles all his life, leading people to think that a man has only one eye.
Georges Braque
Colour could give rise to sensations which would interfere with our conception of space.
Georges Braque
The space between the dish and the pitcher, that I paint also.
Georges Braque
You put a blob of yellow here, and another at the further edge of the canvas: straight away a rapport is established between them. Colour acts in the way that music does.
Georges Braque
I find that it is important to work slowly. Anyone who looks at such a canvas will follow the same path the artist took, and he will experience that it is the path which counts more than the outcome of it, and that the route taken has been the most interesting part.
Georges Braque
I thought that from the moment someone else could do the same as myself, there was no difference between the pictures and they should not be signed. Afterwards I realized it was not so and began to sign my pictures again. Picasso had begun again anyhow.
Georges Braque
Poetry' is what distinguishes the cubist paintings Picasso and I arrived at intuitively from the lifeless sort of painting those who followed us tried, with such unfortunate results, to arrive at theoretically.
Georges Braque
Emotion should not be rendered by an excited trembling it can neither be added on nor be imitated. It is the seed, the work is the flower.
Georges Braque
When objects shattered into fragments appeared in my painting about 1909, this for me was a way of getting closest to the object... Fragmentation helped me to establish space and movement in space.
Georges Braque
I considered that the painter's personality should be kept out of things, and therefore pictures should be anonymous. It was I who decided that pictures should not be signed, and for a time Picasso did the same.
Georges Braque