Quote

More and more lower-middle-income families either live their lives in debt or leave the city altogether. The boom is strictly at the penthouse level.

George Steiner

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George Steiner
Age: 90 †
Born: 1929
Born: April 23
Died: 2020
Died: February 3
Essayist
Journalist
Literary Critic
Novelist
Philosopher
Translator
University Teacher
Writer
Neuilly
Francis George Steiner
Levels
Altogether
Cities
Lower
Either
Families
Middle
Income
Lives
Debt
Penthouse
Live
City
Penthouses
Level
Boom
Leave
Strictly

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When it turned on the Jew, Christianity and European civilization turned on the incarnation - albeit an incarnation often wayward and unaware - of its own best hopes.
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Monotheism at Sinai, primitive Christianity, messianic socialism: these are the three supreme moments in which Western culture is presented with what Ibsen termed the claims of the ideal. These are the three stages, profoundly interrelated, through which Western consciousness is forced to experience the blackmail of transcendence.
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To ask larger questions is to risk getting things wrong. Not to ask them at all is to constrain the life of understanding
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The age of the book is almost gone.
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Anything can be said and, in consequence, written about anything.
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I owe everything to a system that made me learn by heart till I wept. As a result I have thousands of lines of poetry by heart. I owe everything to this.
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I have students who are now in chairs in five continents. They invite me to their inaugurals. A tremendous reward.
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Women began their inner emancipation by their access to literature, by access to the world through books an access they could not have socially or politically, or of course economically, in the world at large.
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When a language dies, a way of understanding the world dies with it, a way of looking at the world.
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The ordinary man casts a shadow in a way we do not quite understand. The man of genius casts light.
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We know that a man can read Goethe or Rilke in the evening, that he can play Bach and Schubert, and go to his day's work at Auschwitz in the morning.
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It is not the literal past that rules us, save, possibly, in a biological sense. It is images of the past. Each new historical era mirrors itself in the picture and active mythology of its past or of a past borrowed from other cultures. It tests its sense of identity, of regress or new achievement against that past.
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Every language is a world. Without translation, we would inhabit parishes bordering on silence.
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If future society assumes the contours foretold by Marxism, if the jungle of our cities turns to the polis of man and the dreams of anger are made real, the representative art will be high comedy. Art will be the laughter of intelligence, as it is in Plato, in Mozart, in Stendhal.
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There are three intellectual pursuits, and, so far as I am aware, only three, in which human beings have performed major feats before the age of puberty. They are music, mathematics, and chess.
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Given my age, I am pretty near the end, probably, of my career as a writer, a scholar, a teacher. And I wanted to speak of things I will not be able to do.
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There is something terribly wrong with a culture inebriated by noise and gregariousness.
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The Socratic demonstration of the ultimate unity of tragic and comic drama is forever lost. But the proof is in the art of Chekhov.
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For it is a plain fact that, most certainly in the West, the writings, works of art, musical compositions which are of central reference, comport that which is grave and constant (Joyce's epithets) in the mystery of our condition.
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The immense majority of human biographies are a gray transit between domestic spasm and oblivion.
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