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More and more lower-middle-income families either live their lives in debt or leave the city altogether. The boom is strictly at the penthouse level.

George Steiner

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George Steiner
Age: 90 †
Born: 1929
Born: April 23
Died: 2020
Died: February 3
Essayist
Journalist
Literary Critic
Novelist
Philosopher
Translator
University Teacher
Writer
Neuilly
Francis George Steiner
Lives
Debt
Penthouse
Live
City
Penthouses
Level
Boom
Leave
Strictly
Levels
Altogether
Cities
Lower
Either
Families
Middle
Income

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My writing of fiction comes under a very general heading of those teachers, critics, scholars who like to try their own hand once or twice in their lives.
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To shoot a man because one disagrees with his interpretation of Darwin or Hegel is a sinister tribute to the supremacy of ideas in human affairs -- but a tribute nevertheless.
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I believe that a work of art, like metaphors in language, can ask the most serious, difficult questions in a way which really makes the readers answer for themselves that the work of art far more than an essay or a tract involves the reader, challenges him directly and brings him into the argument.
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There are three intellectual pursuits, and, so far as I am aware, only three, in which human beings have performed major feats before the age of puberty. They are music, mathematics, and chess.
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To many men... the miasma of peace seems more suffocating than the bracing air of war.
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When it turned on the Jew, Christianity and European civilization turned on the incarnation - albeit an incarnation often wayward and unaware - of its own best hopes.
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The most important tribute any human being can pay to a poem or a piece of prose he or she really loves is to learn it by heart. Not by brain, by heart the expression is vital.
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It is not the literal past that rules us, save, possibly, in a biological sense. It is images of the past. Each new historical era mirrors itself in the picture and active mythology of its past or of a past borrowed from other cultures. It tests its sense of identity, of regress or new achievement against that past.
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The poet's discourse can be compared to the track of a charged particle through a cloud-chamber. An energised field of association and connotation, of overtones and undertones, of rebus and homophone, surround its motion, and break from it in the context of collision .. in Western poetry so much of the charged substance is previous poetry.
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The intellectual is, quite simply, a human being who has a pencil in his or her hand when reading a book.
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When a language dies, a way of understanding the world dies with it, a way of looking at the world.
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A good deal of classical music is, today, the opium of the good citizen.
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Monotheism at Sinai, primitive Christianity, messianic socialism: these are the three supreme moments in which Western culture is presented with what Ibsen termed the claims of the ideal. These are the three stages, profoundly interrelated, through which Western consciousness is forced to experience the blackmail of transcendence.
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The Oresteia, King Lear, Dostoevsky's 'The Devils' no less than the art of Giotto or the 'Passions' of Bach, inquire into, dramatize, the relations of man and woman to the existence of the gods or of God.
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Given my age, I am pretty near the end, probably, of my career as a writer, a scholar, a teacher. And I wanted to speak of things I will not be able to do.
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I owe everything to a system that made me learn by heart till I wept. As a result I have thousands of lines of poetry by heart. I owe everything to this.
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If future society assumes the contours foretold by Marxism, if the jungle of our cities turns to the polis of man and the dreams of anger are made real, the representative art will be high comedy. Art will be the laughter of intelligence, as it is in Plato, in Mozart, in Stendhal.
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I have students who are now in chairs in five continents. They invite me to their inaugurals. A tremendous reward.
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If there is a chronic infirmity by which every teacher ought to be afflicted, it is, indeed, hope.
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If, in the Judaic perception, the language of the Adamic was that of love, the grammars of fallen man are those of the legal code.
George Steiner