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The internet kind of feels like happiness sometimes, however. It feels like stimulation.

George Saunders

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George Saunders
Age: 66
Born: 1958
Born: December 2
Essayist
Fantasy Author
Geological Engineer
Geophysicist
Journalist
Novelist
Professor
Prosaist
Short Story Writer
Teacher
Amarillo
Texas
However
Internet
Happiness
Sometimes
Feels
Kind
Like
Stimulation

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All traditions are also full of meanness for the sake of meanness.
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The one thing about A Christmas Carol that always bothers me is that Cratchit is so sweet and perfect. He's like an Ivy League kid who just is labeled poor. He doesn't have any bad habits. He's never cranky with his kids.
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I'm a control freak. I'm defensive. And I'm an egomaniac. That's true about me.
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As a writer I'm essentially just trying to impersonate a first-time reader, who picks up the story and has to decide, at every point, whether to keep going.
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I don't know about transformation. But scientifically you can say: Well, it doesn't seem to hurt anybody. Personally I've been cheered by books at really critical moments. That much I believe.
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The switch that I'd like to throw on is the one that says, Look, you're a human being whose mind is every bit as active as anybody else's. Your experiences are just as real. For that matter, even if they're even if they're crazy, they're valid. They occurred in this world so they're valid topics for literature.
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I would say one thing writing this book [Lincoln in the Bardo] did for me was underscore the fact that this issue [all men are created equal] has never been properly addressed and it hasn't gone away.
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To understand any plea for further consideration of a group you don't know anything about to be some form of, quote, political correctness. These things are bubbling right under us.
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This may be the one clear truth of the so-called border issue: Put a poor country next to a rich one and watch which way the traffic flows. Add impediments, the traffic endeavors to flow around them. Eilimate disparity. the traffic stops.
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If you're going to make an emotional connection with somebody, whether it's in the story or in the world, there's a certain amount of self-acceptance that is required.
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Whole idea is really intriguing to me. If you took snapshots of ourselves throughout the day, the way that our mind is twisting and turning, then at the moment of death, the mind would be twisting and turning in the same way. But the Buddhists say it's super-sized because there's no bodily damper on it.
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More and more these days what I find myself doing in my stories is making a representation of goodness and a representation of evil and then having those two run at each other full-speed, like a couple of PeeWee football players, to see what happens. Who stays standing? Whose helmet goes flying off?
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I love the idea that more people would read short fiction. I think it's such a humanizing form. It softens the boundaries between people.
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I often wonder if there are certain areas of real life that are roped off, with a sign saying, Art, don't come in here. But that's maybe a deeper question.
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Some of Buddhist texts say that, in the moment after you die, you think of New Jersey and you go to New Jersey or you think of 1820 and you go to 1820. Also, all your sort of inner-symbology gets writ large. So, if you're a Christian, you see Christian iconography.
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If death is in the room, it's pretty interesting. But I would also say that I'm interested in getting myself to believe that it's going to happen to me. I'm interested in it, because if you're not, you're nuts. It's really de facto what we're here to find out about.
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I'm trying to read/edit my story as if I have no existing knowledge of the story, no investment in it, no sense of what Herculean effort went into writing page 23, no pretensions as to why the dull patch on page 4 is important for the fireworks that will happen on page 714.
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Success is like a mountain that keeps growing ahead of you as you hike it... Err in the direction of kindness.
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Every writer has to find the thing to keep her eye on about which she has strong opinions. That's of course deeply personal, but the nice thing is that it has to do with joy rather than fear. It has to do with you. If you're funny, your method will be to try to be funnier. Which again is empowering I think.
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The one thing I noticed retroactively was that the energy at those Trump rallies was off the charts compared to the Hillary Clinton rallies. The Bernie Sanders energy was as good, gentler, but there was a real passion there.
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