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Social media sometimes feels like a vehicle for one-dimensional sniping, more than true criticism.
George Saunders
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George Saunders
Age: 65
Born: 1958
Born: December 2
Essayist
Fantasy Author
Geological Engineer
Geophysicist
Journalist
Novelist
Professor
Prosaist
Short Story Writer
Teacher
Amarillo
Texas
Vehicle
Criticism
Media
Social
True
Sometimes
Feels
Sniping
Like
Dimensional
More quotes by George Saunders
So, good news/bad news: good news that I'm progressing bad news that life is short and art is long.
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When something really bad is going on in a culture, the average guy doesn't see it. He can't. He's average and is surrounded by and immersed in the cant and discourse of the status quo.
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You can say you're a liberal and everybody laughs and it's a good time.
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A culture's ability to understand the world and itself is critical to its survival. But today we are led into the arena of public debate by seers whose main gift is their ability to compel people to continue to watch them.
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It's so ironic that you often hear these right-wing people talking about the Constitution.
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More and more these days what I find myself doing in my stories is making a representation of goodness and a representation of evil and then having those two run at each other full-speed, like a couple of PeeWee football players, to see what happens. Who stays standing? Whose helmet goes flying off?
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From across the woods, as if by common accord, birds left their trees and darted upward. I joined them, flew amount them, they did not recognize me as something apart from them, and I was happy, so happy, because for the first time in years, and forevermore, I had not killed, and never would.
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I actually believe that a lot of what people call originality has to do with persistence in the craft.
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I'm a control freak. I'm defensive. And I'm an egomaniac. That's true about me.
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Realism is to fiction what gravity is to walking: a confinement that allows dancing under the right circumstances.
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It's a big world, and I really like it.
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Character is that sum total of moments we can't explain.
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One of the inspiring things about Susan Sarandon career is that there's a quality of real fearlessness in it - you seem to be in it for the challenge and the experience.
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It's funny with fiction - once you cut something, it hasn't happened anymore.
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Every step was a victory. He had to remember that.
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Whatever you love, that will be an influence. It just will. So in effect the young writer's job is: go out and find some stuff to love.
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The old and honorable American notion, that a person who works hard should be able to live in freedom and security, with dignity - seems to have taken on a secondary status.
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Some of Buddhist texts say that, in the moment after you die, you think of New Jersey and you go to New Jersey or you think of 1820 and you go to 1820. Also, all your sort of inner-symbology gets writ large. So, if you're a Christian, you see Christian iconography.
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If you're going to make an emotional connection with somebody, whether it's in the story or in the world, there's a certain amount of self-acceptance that is required.
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In the Buddhist texts, some of them say, when you die, basically that wild horse gets cut loose, and the mind is incredibly powerful and expansive, omniscient and can go anywhere and see anything, but - and this is the catch - it's colored by the habits of thought we made in life.
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