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Social media sometimes feels like a vehicle for one-dimensional sniping, more than true criticism.
George Saunders
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George Saunders
Age: 65
Born: 1958
Born: December 2
Essayist
Fantasy Author
Geological Engineer
Geophysicist
Journalist
Novelist
Professor
Prosaist
Short Story Writer
Teacher
Amarillo
Texas
Like
Dimensional
Vehicle
Criticism
Media
Social
True
Sometimes
Feels
Sniping
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The artist’s job, I think, is to be a conduit for mystery.
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I don't tend to work directly from life, except in trying to mimic or match the outlines of its insanity. In other words, when I live through something, I just try to say to myself, OK, remember this - life is really this crazy or scary or beautiful or surprising - so try to 'get at' that in your stories.
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The main thing a childhood in the Church did for me, I think, was set up the universe as a moral system. Once you've seen it that way, it always seems that way.
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Character is that sum total of moments we can't explain.
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Anyone can be shamed, but feeling guilt requires empathy within.
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We have that illusion that we are 'deciding' what to make a character do, in order to 'convey our message' or something like that. But, at least in my experience, you are often more like a river-rafting guide who's been paid a bonus to purposely steer your clients into the roughest possible water.
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If I find myself being too earnest and sentimental and hyperbolic and simplistic, which is definitely a tendency I have, then I bring in this perverse henchman.
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We try, we fail, we posture, we aspire, we pontificate - and then we age, shrink, die, and vanish.
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My artistic approach is that you're supposed to be a little baffled.
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I feel that there is nothing that can happen to a person that is banal. Everything that happens to us is interesting.
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It was that impossible thing: happiness that does not wilt to reveal the thin shoots of some new desire rising from within it.
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The number of rooms in a fictional house should be inversely proportional to the years during which the couple living in that house enjoyed true happiness.
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I think when you see [Donald] Trump in person, my reaction is you kind of enjoy it. It's kind of an enjoyable night out.
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We've got a real problem with social media that we didn't know we were going to have. It's almost like the demons have gotten out of the box.
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Twitter is a deliberate abstention. Somehow I hate the idea of there always being, in the back of my mind, this little voice saying: 'Oh, I should tweet about this.'
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As a fiction writer, one of things you learn is God lives in specificity. You know, human kindness is increased as we pursue specificity.
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Being in church so often, spending those hours sitting in front of a highly symbolic array of objects, hearing those beautiful texts - it teaches a kid that there are important truths beyond the literal ones, and that we have ways to access those truths that are, let's say, super-rational.
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There's a really nice moment in the life of a piece of writing where the writer starts to get a feeling of it outgrowing him - or he starts to see it having a life of its own that doesn't have anything to do with his ego or his desire to 'be a good writer'.
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I think if someone could demonstrate to me that fiction did no good, I would still do it, because I think it does good for me.
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I think in our time, you know, so much of the information we get is pre-polarized. Fiction has a way of reminding us that we actually are very similar in our emotions and our neurology and our desires and our fears, so I think it's a nice way to neutralize that polarization.
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