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For me, things were either very sullied or very pure, very controlled or very under-controlled.
George Saunders
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George Saunders
Age: 66
Born: 1958
Born: December 2
Essayist
Fantasy Author
Geological Engineer
Geophysicist
Journalist
Novelist
Professor
Prosaist
Short Story Writer
Teacher
Amarillo
Texas
Sullied
Controlled
Pure
Either
Things
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So, good news/bad news: good news that I'm progressing bad news that life is short and art is long.
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I think the trick of being a writer is to basically put your cards out there all the time and be willing to be as in the dark about what happens next as your reader would be at that time.
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My heartfelt wish for you: as you get older, your self will diminish and you will grow in love.
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When I wrote that [Donald] Trump piece, I had this uncomfortable experience of sensing a lot of things that were nascent, that I couldn't quite articulate. And one of them was this move toward anti-intellectualism. An anti-love move, even.
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Some of our writers are starting to incorporate elements of social media, etc. in the work itself, which is all for the good, I think - finding new ways of being poetic.
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Nostalgia is, 'Hey, remember the other mall that used to be there?'
George Saunders
I'm starting to withdraw from [technology] as much as I can. I don't do much of the social media stuff. Like, if I'm on Facebook, it changes my relation to the real world in a way that makes me feel sick - almost like I've had too much sugar or something.
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That underscored this idea that when we're reading a book or writing a book, you're in an act of co-creation. The reader and the writer are both trying to dress up and present their best selves and then there's that moment, when suddenly, as a reader, you're not exactly you anymore, and likewise, as a writer, you're not really you.
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I read to make myself feel awake.
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Monologues, in some ways, are the most scientific descriptions of consciousness and even of gatherings.
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From the beginning [of the Lincoln in the Bardo], I actually had it in mind not to write a novel. I'd kind of gotten past that point where I felt bad for never having written a novel, even to where I felt really good about it, like I was a real purist.
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Err in the direction of kindness.
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So many people mentioned this at these rallies. You go to these things and it's kind of like an oldies concert. I mean, it's not hostile.
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You can see a whole book as a series of creating an expectation and then delivering a skew on that expectation so it's not totally satisfied.
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It's a big world, and I really like it.
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It was that impossible thing: happiness that does not wilt to reveal the thin shoots of some new desire rising from within it.
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The writer, in order to proceed, is theoretically trying to predict where his complex skein of language and image has left his reader, who he has likely never met and who is actually thousands of readers.
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Some of Buddhist texts say that, in the moment after you die, you think of New Jersey and you go to New Jersey or you think of 1820 and you go to 1820. Also, all your sort of inner-symbology gets writ large. So, if you're a Christian, you see Christian iconography.
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