Quote

There's not a lot of whimsicality in the form, not a lot of indulgence allowed. Like when I was younger, I would sometimes go, Oh, every other section will be narrated by a chair. Or, It will be a double helix shape! That never really worked.

George Saunders

Change background

T
T
T

Change font

TAGS & TOPICS

George Saunders
Age: 65
Born: 1958
Born: December 2
Essayist
Fantasy Author
Geological Engineer
Geophysicist
Journalist
Novelist
Professor
Prosaist
Short Story Writer
Teacher
Amarillo
Texas
Like
Shapes
Indulgence
Worked
Sections
Form
Chair
Sometimes
Double
Every
Chairs
Really
Younger
Helix
Never
Shape
Narrated
Would
Allowed
Section

More quotes by George Saunders

Image
Success is like a mountain in front of you that keeps growing. If you're not careful, it will take up your whole life.
George Saunders
Image
Realism is to fiction what gravity is to walking: a confinement that allows dancing under the right circumstances.
George Saunders
Image
My understanding of kindness is that we are hoping to be truly beneficial in every situation, and that this desire means a whole suite of things: being nicer, sure, but also being more aware, more present, more articulate, more fearless, less habituated, etc., etc. And sometimes even being firm, or having an edge, or even being angry.
George Saunders
Image
I often think about image, and image is something that - but in truth, the real artistic process, as I've understood it, is 95 percent intuitive, like seat-of-the-pants, at-the-moment decisions that you can't even explain, you know?
George Saunders
Image
All storytelling is kind of that - there's a bit of text that you put pressure on that spits out some desire that a character has and then you follow that. The other part is that every scene raises an expectation in the reader's mind - that's part of its job is to make you look in and be curious.
George Saunders
Image
I'm trying to read/edit my story as if I have no existing knowledge of the story, no investment in it, no sense of what Herculean effort went into writing page 23, no pretensions as to why the dull patch on page 4 is important for the fireworks that will happen on page 714.
George Saunders
Image
Someone told me once - I mean I said, Is it ok that I don't really know what the three-act structure is? And he said, It's basically: Act 1: a guy climbs up a tree Act 2: people come and throw stuff at him Act 3: he gets down.
George Saunders
Image
The one thing I noticed retroactively was that the energy at those Trump rallies was off the charts compared to the Hillary Clinton rallies. The Bernie Sanders energy was as good, gentler, but there was a real passion there.
George Saunders
Image
If death is in the room, it's pretty interesting. But I would also say that I'm interested in getting myself to believe that it's going to happen to me. I'm interested in it, because if you're not, you're nuts. It's really de facto what we're here to find out about.
George Saunders
Image
The number of rooms in a fictional house should be inversely proportional to the years during which the couple living in that house enjoyed true happiness.
George Saunders
Image
I came to writing kind of late. I was an engineer, and the one thing I've learned is that you have to steer a project in the direction of the maximum fun for you. You could say lively energy, or you have to try to be intrigued. Basically, if you were a musician and you were playing joylessly, nobody would want to hear you.
George Saunders
Image
I would kind of, you know, go stand next to some unlucky guy and say eventually, Hi, I'm George. You know, I'm with The New Yorker. I'm a liberal. I'm somewhat left of Gandhi. Do you want to talk? And, you know, they always did.
George Saunders
Image
In a story, for example, you'll start off with a character who is a little bit of a cartoon. That's not satisfying and you start revising. And as you revise you always are making it better by being specific and by observing more closely, which actually is really the same as saying you love your characters. The close observation equals love of them.
George Saunders
Image
What I'm primarily saying,' he says, 'is that this is a time for knowledge assimilation, not backstabbing. We learned a lesson, you and I. We personally grew. Gratitude for this growth is an appropriate response. Gratitude, and being careful never to make the same mistake twice.
George Saunders
Image
Err in the direction of kindness.
George Saunders
Image
So many people mentioned this at these rallies. You go to these things and it's kind of like an oldies concert. I mean, it's not hostile.
George Saunders
Image
I think the biggest single issue is income inequity and what this is doing to the good old American dream. This and corporatism - this delusional idea that shareholder value outweighs everything else.
George Saunders
Image
My heart goes out to him. Sort of. Because empathy depends on how you've spent your day.
George Saunders
Image
Maybe you could even think 100,000 people are inside each human being. And you drop a novel on that person, and a certain number of those sub-people come alive or get reenergized for some finite time.
George Saunders
Image
I have finally realized that, you know, it's not a given that my lifespan will accommodate my writing aspirations.
George Saunders