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[Lincoln in the Bardo] is not a long book. And that meant I could obsess over it and live in it both backwards and forwards and hyper-control everything.
George Saunders
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George Saunders
Age: 65
Born: 1958
Born: December 2
Essayist
Fantasy Author
Geological Engineer
Geophysicist
Journalist
Novelist
Professor
Prosaist
Short Story Writer
Teacher
Amarillo
Texas
Live
Bardo
Everything
Forwards
Book
Obsess
Long
Hyper
Lincoln
Backwards
Meant
Control
More quotes by George Saunders
I try to keep my artistic opinions not so much to myself but on myself.
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If you're going to make an emotional connection with somebody, whether it's in the story or in the world, there's a certain amount of self-acceptance that is required.
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It's on us to investigate ourselves for any lingering sense that we are 'giving' equality. We are not. It is already given. And not by us.
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The cool parts - the parts that have won Dubai its reputation as 'the Vegas of the Middle East' or 'the Venice of the Middle East' or 'the Disney World of the Middle East, if Disney World were the size of San Francisco and out in a desert' - have been built in the last ten years.
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In the reason that the contrast between the absolute and the relative is so terrible is because we believe so fully in ourselves as permanent, continuous, and central. I feel insane saying this, but if one weren't so deluded about the permanent reality of the self, a lot of this pain would actually lessen.
George Saunders
A country doesn't need a businessman to run it: it needs a heartful, worldly, compassionate leader.
George Saunders
What really interests me, on a deeper level, is how our information is coming to us in some kind of messed up way that is making us idiotic. I don't think we've become more idiotic than we always were, but I think the information transfer is funky. The shorthand of it is that social media is making us mentally insane.
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I think the wave of social media rejection is coming. I think there will be a big reaction against it. It's just like sugar- - mean, I loved it as a kid.
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I've always wanted to write energetic, atypical sentences, i.e., sentences that were not normal or bland.
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Nostalgia is, 'Hey, remember the other mall that used to be there?'
George Saunders
I've found that my first drafts are not so special. But the more I work on them, the better they get. They are more unique and defensible.
George Saunders
I attended Catholic school. We received a great education from the nuns. ... Also, guilt. Guilt and a feeling of never being satisfied with what you've done. And a sense that you are inadequate and a big phony. All useful for a writer. I'm always being edited by my inner nun.
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The traveller must, of course, always be cautious of the overly broad generalisation. But I am an American, and a paucity of data does not stop me from making sweeping, vague, conceptual statements and, if necessary, following these statements up with troops.
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Twitter is a deliberate abstention. Somehow I hate the idea of there always being, in the back of my mind, this little voice saying: 'Oh, I should tweet about this.'
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That underscored this idea that when we're reading a book or writing a book, you're in an act of co-creation. The reader and the writer are both trying to dress up and present their best selves and then there's that moment, when suddenly, as a reader, you're not exactly you anymore, and likewise, as a writer, you're not really you.
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In my case, when I am trying to be kind I often default in a sort of toothless loving-all stance that is, actually, not kind, because it is not truthful.
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My heart goes out to him. Sort of. Because empathy depends on how you've spent your day.
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I'm repledging myself to human-scale values. As a fiction writer, the best data comes through the senses and is then processed through many revisions. We have to learn to be intelligent assessors of the data coming in to us and what it's doing to our mental process.
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In the Buddhist texts, some of them say, when you die, basically that wild horse gets cut loose, and the mind is incredibly powerful and expansive, omniscient and can go anywhere and see anything, but - and this is the catch - it's colored by the habits of thought we made in life.
George Saunders
I often wonder if there are certain areas of real life that are roped off, with a sign saying, Art, don't come in here. But that's maybe a deeper question.
George Saunders
