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[Lincoln in the Bardo] is not a long book. And that meant I could obsess over it and live in it both backwards and forwards and hyper-control everything.
George Saunders
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George Saunders
Age: 65
Born: 1958
Born: December 2
Essayist
Fantasy Author
Geological Engineer
Geophysicist
Journalist
Novelist
Professor
Prosaist
Short Story Writer
Teacher
Amarillo
Texas
Backwards
Meant
Control
Live
Bardo
Everything
Forwards
Book
Obsess
Long
Hyper
Lincoln
More quotes by George Saunders
I would kind of, you know, go stand next to some unlucky guy and say eventually, Hi, I'm George. You know, I'm with The New Yorker. I'm a liberal. I'm somewhat left of Gandhi. Do you want to talk? And, you know, they always did.
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You go to the marketplace and there are seventeen consciousnesses moving in and out. Sometimes you want the same shirt that I want, and our thought bubbles collide a bit and that makes plot.
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I don't tend to work directly from life, except in trying to mimic or match the outlines of its insanity. In other words, when I live through something, I just try to say to myself, OK, remember this - life is really this crazy or scary or beautiful or surprising - so try to 'get at' that in your stories.
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I feel that there is nothing that can happen to a person that is banal. Everything that happens to us is interesting.
George Saunders
Sometimes I think fiction exists to model the way God might think of us, if God had the time and inclination to do so.
George Saunders
My understanding of kindness is that we are hoping to be truly beneficial in every situation, and that this desire means a whole suite of things: being nicer, sure, but also being more aware, more present, more articulate, more fearless, less habituated, etc., etc. And sometimes even being firm, or having an edge, or even being angry.
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Whatever you love, that will be an influence. It just will. So in effect the young writer's job is: go out and find some stuff to love.
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Irony is just honesty with the volume cranked up.
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One of the principals of composition, I would say, in fiction, is you want to do what you can do a lot of. You want to do what you're enthusiastic about and what rings your bell. In this case, almost every decision I made was on that basis.
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Maybe you could even think 100,000 people are inside each human being. And you drop a novel on that person, and a certain number of those sub-people come alive or get reenergized for some finite time.
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Success is like a mountain that keeps growing ahead of you as you hike it... Err in the direction of kindness.
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Being in church so often, spending those hours sitting in front of a highly symbolic array of objects, hearing those beautiful texts - it teaches a kid that there are important truths beyond the literal ones, and that we have ways to access those truths that are, let's say, super-rational.
George Saunders
All along, my mantra was: Don't write unless it contributes to the emotion, and do anything you do in service of the emotion only.
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I've found that my first drafts are not so special. But the more I work on them, the better they get. They are more unique and defensible.
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I think that fiction has a part to play in urging us, as a species, toward compassion.
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I've always wanted to write energetic, atypical sentences, i.e., sentences that were not normal or bland.
George Saunders
Working with language is a means by which we can identify the bullshit within ourselves (and others).
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What evil does first in the world, maybe, is distract us from our pursuit of goodness.
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Success is like a mountain in front of you that keeps growing. If you're not careful, it will take up your whole life.
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Your first responsibility is to yourself and to your own goodness of heart.
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