Quote

I'm turning 58, and you get that kind of weird, old-guy feeling of you don't have an infinite number of years left and if there's anything you want to say or represent, it's time to try it.

George Saunders

Change background

T
T
T

Change font

TAGS & TOPICS

George Saunders
Age: 65
Born: 1958
Born: December 2
Essayist
Fantasy Author
Geological Engineer
Geophysicist
Journalist
Novelist
Professor
Prosaist
Short Story Writer
Teacher
Amarillo
Texas
Kind
Number
Years
Numbers
Time
Feeling
Guy
Left
Represent
Feelings
Turning
Anything
Weird
Trying
Infinite

More quotes by George Saunders

Image
In real life, when you have an emotional experience, it's never just because of the thing that's been said. There's the backstory. It's like [Ernest] Hemingway's iceberg theory - the current emotional moment is the tip of the iceberg and all of the past is the seven-eighths of the iceberg that's underwater.
George Saunders
Image
The switch that I'd like to throw on is the one that says, Look, you're a human being whose mind is every bit as active as anybody else's. Your experiences are just as real. For that matter, even if they're even if they're crazy, they're valid. They occurred in this world so they're valid topics for literature.
George Saunders
Image
Whatever your supposed politics are - left, right - if you put it in a human connection, most people will rise to the occasion and feel the human pain in a way that they might not if it was presented in a more conceptual way.
George Saunders
Image
In a story, for example, you'll start off with a character who is a little bit of a cartoon. That's not satisfying and you start revising. And as you revise you always are making it better by being specific and by observing more closely, which actually is really the same as saying you love your characters. The close observation equals love of them.
George Saunders
Image
Sometimes I think fiction exists to model the way God might think of us, if God had the time and inclination to do so.
George Saunders
Image
The writer has to make pleasure for the reader - which, I think, is done by taking one's character's seriously and taking one's readers seriously -don't condescend or try to be tricky. Be a friend to your reader - I'd say that's a pretty good first step.
George Saunders
Image
The cool parts - the parts that have won Dubai its reputation as 'the Vegas of the Middle East' or 'the Venice of the Middle East' or 'the Disney World of the Middle East, if Disney World were the size of San Francisco and out in a desert' - have been built in the last ten years.
George Saunders
Image
I was a straight arrow, a control freak. I didn't do drugs or drink, and this was the '70s. I didn't like the loss of control. Which isn't exactly right, because I didn't know what happened when you did drugs.
George Saunders
Image
All along, my mantra was: Don't write unless it contributes to the emotion, and do anything you do in service of the emotion only.
George Saunders
Image
Positive human action is not only possible, but pervasive human beings can improve and choose light and so on. And this is all happening.
George Saunders
Image
When we talk about adversity, this is the moment when character really gets tested. When things aren't going the way you want and you can't see anyway that they're going to go the way you want. That's kind of when those old virtues really become valuable and vulnerable also.
George Saunders
Image
If I'm writing a story and you're reading it, or vice versa, you took time out of your day to pick up my book. I think the one thing that will kill that relationship is if you feel me condescending to you in the process.
George Saunders
Image
If I go to the coffee shop and have a nice interaction with the barista, I don't know what that does for world peace, but we have to assume that in the great basket of goodness maybe that's one little micron or one little neutron that you've put in there.
George Saunders
Image
I attended Catholic school. We received a great education from the nuns. ... Also, guilt. Guilt and a feeling of never being satisfied with what you've done. And a sense that you are inadequate and a big phony. All useful for a writer. I'm always being edited by my inner nun.
George Saunders
Image
My stories, I can understand them as a little toy that you wind up and you put it on the floor and it just goes under the coach. That I get. Beyond that, I'm a little lost.
George Saunders
Image
I think in our time, you know, so much of the information we get is pre-polarized. Fiction has a way of reminding us that we actually are very similar in our emotions and our neurology and our desires and our fears, so I think it's a nice way to neutralize that polarization.
George Saunders
Image
The thing I've discovered that is a help is that there isn't a simple virtue or a simple vice. They're always connected. If you have Tendency A, that you loathe, you can almost be sure that Tendency B, which you love, is somehow connected to it.
George Saunders
Image
Nostalgia is, 'Hey, remember the other mall that used to be there?'
George Saunders
Image
The artist’s job, I think, is to be a conduit for mystery.
George Saunders
Image
It seems to me a worthy goal: try to create a representation of consciousness that's durable and truthful, i.e., that accounts, somewhat, for all the strange, tiny, hard-to-articulate, instantaneous, unwilled things that actually go on in our minds in the course of a given day, or even a given moment.
George Saunders