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We've got a real problem with social media that we didn't know we were going to have. It's almost like the demons have gotten out of the box.
George Saunders
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George Saunders
Age: 65
Born: 1958
Born: December 2
Essayist
Fantasy Author
Geological Engineer
Geophysicist
Journalist
Novelist
Professor
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Short Story Writer
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Amarillo
Texas
Social
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More quotes by George Saunders
There's a really nice moment in the life of a piece of writing where the writer starts to get a feeling of it outgrowing him - or he starts to see it having a life of its own that doesn't have anything to do with his ego or his desire to 'be a good writer'.
George Saunders
That underscored this idea that when we're reading a book or writing a book, you're in an act of co-creation. The reader and the writer are both trying to dress up and present their best selves and then there's that moment, when suddenly, as a reader, you're not exactly you anymore, and likewise, as a writer, you're not really you.
George Saunders
And I have finally realized that, you know, it's not a given that my lifespan will accommodate my writing aspirations. It could be that it would take me 12 more books at six years each to get it - which means I would have to live to be 126. Which I fully intend to do, of course.
George Saunders
A person supporting [Donald]Trump likes Trump. And I think they would say the same about me.
George Saunders
Success is like a mountain in front of you that keeps growing. If you're not careful, it will take up your whole life.
George Saunders
I have finally realized that, you know, it's not a given that my lifespan will accommodate my writing aspirations.
George Saunders
Of course there's objective truth, but when we're looking at people's accounts of it, it seems the real truth lies in the accretion of all these different versions.
George Saunders
I often wonder if there are certain areas of real life that are roped off, with a sign saying, Art, don't come in here. But that's maybe a deeper question.
George Saunders
Stay alert. The big moral crossroads in your life may not come labeled as such.
George Saunders
I read to make myself feel awake.
George Saunders
I'm trying to read/edit my story as if I have no existing knowledge of the story, no investment in it, no sense of what Herculean effort went into writing page 23, no pretensions as to why the dull patch on page 4 is important for the fireworks that will happen on page 714.
George Saunders
What a powerful thing to know: That one's own desires are mappable onto strangers that what one finds in oneself will most certainly be found in The Other.
George Saunders
The beginning [of Lincoln in the Bardo] is strange, and I did a lot of work calibrating that so that a reader with a certain level of patience would get through it and in the nick of time start to figure out what was going on. In a short book, you can do that.
George Saunders
[Lincoln in the Bardo] is not a long book. And that meant I could obsess over it and live in it both backwards and forwards and hyper-control everything.
George Saunders
Intelligent, heartfelt stories that tell a whole new set of truths about growing up American. Julie Orringer writes with virtuosity and depth about the fears, cruelties, and humiliations of childhood, but then does that rarest, and more difficult, thing: writes equally beautifully about the moments of victory and transcendence.
George Saunders
It's so ironic that you often hear these right-wing people talking about the Constitution.
George Saunders
I knew if I evoked that stuff too easily or gratuitously, as a way of assuaging my fears of not being edgy or whatever, the writing would fall apart. This book [Lincoln in the Bardo] was going to have to have some earnestness in it.
George Saunders
The artist’s job, I think, is to be a conduit for mystery.
George Saunders
I don't know about transformation. But scientifically you can say: Well, it doesn't seem to hurt anybody. Personally I've been cheered by books at really critical moments. That much I believe.
George Saunders
Whole swaths of the book [Lincoln in the Bardo] are made up of verbatim quotes from various historical sources, which I cut up and rearranged to form part of the narrative.
George Saunders
