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We've got a real problem with social media that we didn't know we were going to have. It's almost like the demons have gotten out of the box.
George Saunders
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George Saunders
Age: 65
Born: 1958
Born: December 2
Essayist
Fantasy Author
Geological Engineer
Geophysicist
Journalist
Novelist
Professor
Prosaist
Short Story Writer
Teacher
Amarillo
Texas
Media
Almost
Social
Didn
Problem
Demons
Real
Demon
Going
Gotten
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It's a big world, and I really like it.
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The word 'funny' is a bit like the word 'love' - we don't have enough words to describe the many varieties.
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If a writer understands his work as something that originates with him but then, with any luck, gets away from him, then what he needs is someone who can grasp the potential of the piece and lead him to that higher ground.
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I think in our time, you know, so much of the information we get is pre-polarized. Fiction has a way of reminding us that we actually are very similar in our emotions and our neurology and our desires and our fears, so I think it's a nice way to neutralize that polarization.
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Intelligent, heartfelt stories that tell a whole new set of truths about growing up American. Julie Orringer writes with virtuosity and depth about the fears, cruelties, and humiliations of childhood, but then does that rarest, and more difficult, thing: writes equally beautifully about the moments of victory and transcendence.
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When I think about what fiction does morally, I'm happier thinking of a person full of multiplicities - sort of fragmented.
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The thing I've discovered that is a help is that there isn't a simple virtue or a simple vice. They're always connected. If you have Tendency A, that you loathe, you can almost be sure that Tendency B, which you love, is somehow connected to it.
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A culture's ability to understand the world and itself is critical to its survival. But today we are led into the arena of public debate by seers whose main gift is their ability to compel people to continue to watch them.
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I don't use the word lightly, in fact, I don't use it at all, but Ben Marcus is a genius, one of the most daring, funny, morally engaged and brilliant writers, someone whose work truly makes a difference in the world. His prose is, for me, awareness objectified-he makes the word new and thus the world.
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Irony is just honesty with the volume cranked up.
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We have that illusion that we are 'deciding' what to make a character do, in order to 'convey our message' or something like that. But, at least in my experience, you are often more like a river-rafting guide who's been paid a bonus to purposely steer your clients into the roughest possible water.
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The artist’s job, I think, is to be a conduit for mystery.
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I don't really write beautifully naturally, unlike some people.
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