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The demographics are changing - and so what? Citizenship is a question of certain agreed-upon values and that is that. Do we believe that? I think at heart we do.

George Saunders

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George Saunders
Age: 66
Born: 1958
Born: December 2
Essayist
Fantasy Author
Geological Engineer
Geophysicist
Journalist
Novelist
Professor
Prosaist
Short Story Writer
Teacher
Amarillo
Texas
Certain
Heart
Demographics
Believe
Agreed
Think
Citizenship
Thinking
Changing
Question
Values
Upon

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I was a straight arrow, a control freak. I didn't do drugs or drink, and this was the '70s. I didn't like the loss of control. Which isn't exactly right, because I didn't know what happened when you did drugs.
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When you're out there in America, meeting with regular people, it's a pretty mellow, relaxed, kind-hearted country. The direction from the top, from the President, is following mean-spirited tendencies: fear and undue caution and distrust of the other, so it's very depressing.
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I often wonder if there are certain areas of real life that are roped off, with a sign saying, Art, don't come in here. But that's maybe a deeper question.
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When we talk about adversity, this is the moment when character really gets tested. When things aren't going the way you want and you can't see anyway that they're going to go the way you want. That's kind of when those old virtues really become valuable and vulnerable also.
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I came to writing kind of late. I was an engineer, and the one thing I've learned is that you have to steer a project in the direction of the maximum fun for you. You could say lively energy, or you have to try to be intrigued. Basically, if you were a musician and you were playing joylessly, nobody would want to hear you.
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I think fiction isn't so good at being for or against things in general - the rhetorical argument a short story can make is only actualized by the accretion of particular details, and the specificity of these details renders whatever conclusions the story reaches invalid for wider application.
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The internet kind of feels like happiness sometimes, however. It feels like stimulation.
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I see this quality [real interest and joy] in the work of [Pavel] Chekhov, of course, and [Alexei] Tolstoy and really just about any great writer.
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I don't tend to work directly from life, except in trying to mimic or match the outlines of its insanity. In other words, when I live through something, I just try to say to myself, OK, remember this - life is really this crazy or scary or beautiful or surprising - so try to 'get at' that in your stories.
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There comes that phase in life when, tired of losing, you decide to stop losing, then continue losing. Then you decide to really stop losing, and continue losing. The losing goes on and on so long you begin to watch with curiosity, wondering how low you can go.
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It's funny with fiction - once you cut something, it hasn't happened anymore.
George Saunders
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Success is like a mountain that keeps growing ahead of you as you hike it... Err in the direction of kindness.
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When I wrote that [Donald] Trump piece, I had this uncomfortable experience of sensing a lot of things that were nascent, that I couldn't quite articulate. And one of them was this move toward anti-intellectualism. An anti-love move, even.
George Saunders
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I attended Catholic school. We received a great education from the nuns. ... Also, guilt. Guilt and a feeling of never being satisfied with what you've done. And a sense that you are inadequate and a big phony. All useful for a writer. I'm always being edited by my inner nun.
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[Lincoln in the Bardo] is not a long book. And that meant I could obsess over it and live in it both backwards and forwards and hyper-control everything.
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It was like either: (A) I was a terrible guy who was knowingly doing this rotten thing over and over, or (B) it wasn’t so rotten, really, just normal, and the way to confirm it was normal was to keep doing it, over and over.
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That's one of the reasons I take a lot of consolation in fiction. You have years to work on it. I think that allows you to reach for the best part of your reader instead of a lot of the internet stuff, in which you're kind of reaching for the worst or the most shallow part of your reader.
George Saunders
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More and more these days what I find myself doing in my stories is making a representation of goodness and a representation of evil and then having those two run at each other full-speed, like a couple of PeeWee football players, to see what happens. Who stays standing? Whose helmet goes flying off?
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Kindness, it turns out, is hard - it starts out all rainbows and puppy dogs, and expands to include . . . well, EVERYTHING.
George Saunders
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In Catholicism, we would say you're going to be judged, so therefore you should do better now. For me, Buddhism is somewhat more workable because instead of saying I have to do good, it says I have to notice what I'm actually doing.
George Saunders