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Some of our writers are starting to incorporate elements of social media, etc. in the work itself, which is all for the good, I think - finding new ways of being poetic.

George Saunders

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George Saunders
Age: 65
Born: 1958
Born: December 2
Essayist
Fantasy Author
Geological Engineer
Geophysicist
Journalist
Novelist
Professor
Prosaist
Short Story Writer
Teacher
Amarillo
Texas
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Poetic
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It really strikes me how much of your energy in America, especially if you're from a working back-ground, is spent just keeping your head above water. It really saps your grace and your strength.
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I often wonder if there are certain areas of real life that are roped off, with a sign saying, Art, don't come in here. But that's maybe a deeper question.
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The bottom line for me is that life is short and art is long.
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It's funny with fiction - once you cut something, it hasn't happened anymore.
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In a story, for example, you'll start off with a character who is a little bit of a cartoon. That's not satisfying and you start revising. And as you revise you always are making it better by being specific and by observing more closely, which actually is really the same as saying you love your characters. The close observation equals love of them.
George Saunders
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It seems to me a worthy goal: try to create a representation of consciousness that's durable and truthful, i.e., that accounts, somewhat, for all the strange, tiny, hard-to-articulate, instantaneous, unwilled things that actually go on in our minds in the course of a given day, or even a given moment.
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If a writer understands his work as something that originates with him but then, with any luck, gets away from him, then what he needs is someone who can grasp the potential of the piece and lead him to that higher ground.
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I turned 54 this year and I find myself feeling like I'm in a bit of a race to get down on paper the way I really feel about life - or the way it has presented to me. And because it has presented to me very beautifully, this is hard. It is technically very hard to show positive manifestations.
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I have nothing. My model is I have nothing figured out, and I'm starting with some little nugget and hoping that it will talk back to me enough to let it grow.
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I don't know about transformation. But scientifically you can say: Well, it doesn't seem to hurt anybody. Personally I've been cheered by books at really critical moments. That much I believe.
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I'm finding, as I get older, that I'm not much of a believer in redemption. I mean, I believe in redemption in real life - redemption does happen, and it's cool when it does - but I find myself getting leery of my desire for it in stories (especially my own).
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It's on us to investigate ourselves for any lingering sense that we are 'giving' equality. We are not. It is already given. And not by us.
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I am trying to remember that things have certainly been crazier in human history and they may get crazier here and now, and [here I am trying to be optimistic] it's even a good thing, to be going through all of this, if only to be reminded that history hasn't stopped - human existence is as fundamentally unmanageable now as it ever was.
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I think that fiction has a part to play in urging us, as a species, toward compassion.
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I think kindness is a sort of gateway virtue - having that simple aspiration can get you into deep water very quickly - in a good way.
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Your first responsibility is to yourself and to your own goodness of heart.
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The number of rooms in a fictional house should be inversely proportional to the years during which the couple living in that house enjoyed true happiness.
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Err in the direction of kindness.
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Monologues, in some ways, are the most scientific descriptions of consciousness and even of gatherings.
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I have finally realized that, you know, it's not a given that my lifespan will accommodate my writing aspirations.
George Saunders