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I think kindness is a sort of gateway virtue - having that simple aspiration can get you into deep water very quickly - in a good way.

George Saunders

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George Saunders
Age: 65
Born: 1958
Born: December 2
Essayist
Fantasy Author
Geological Engineer
Geophysicist
Journalist
Novelist
Professor
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Short Story Writer
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Amarillo
Texas
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What evil does first in the world, maybe, is distract us from our pursuit of goodness.
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The best thing that ever happened to me is that nothing happened in writing. I ended up working for engineering companies, and that's where I found my material, in the everyday struggle between capitalism and grace. Being broke and tired, you don't come home your best self.
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The traveller must, of course, always be cautious of the overly broad generalisation. But I am an American, and a paucity of data does not stop me from making sweeping, vague, conceptual statements and, if necessary, following these statements up with troops.
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The millions or billions of micro decisions that you're going to make, that's what will determine who you are as a writer, not you deciding in advance.
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The great American denial riff is that you can do whatever you like and you always triumph at the end. The world is saying no, you can do what you like, but there are consequences. And maturity is to be able to turn to the consequences and accept them.
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I have a lot of theories about the beneficial effects of fiction, but I'm always trying to get away from them a little bit.
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I think the trick of being a writer is to basically put your cards out there all the time and be willing to be as in the dark about what happens next as your reader would be at that time. And then you can really surprise yourself. There's that cliche, No surprise for the writer, no surprise for the reader!
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What I regret most in my life are failures of kindness.
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I don't like that new age posture where you kind of tilt your head. I don't like that posture right now. I want something a little more confident and more sure of the values that we're defending, which are the old ones, love and empathy and patience and tolerance and civility. Not to get into politics or anything.
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I don't feel like I have the intelligence to really inhabit a consistently high level of prose.
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I'm such a baby if I even get a flu.
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I was a straight arrow, a control freak. I didn't do drugs or drink, and this was the '70s. I didn't like the loss of control. Which isn't exactly right, because I didn't know what happened when you did drugs.
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I like [Barak] Obama. I like him. So how far does rationality help to persuade anybody? You know, I'm not so sure.
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To me, the process of writing is just reading what I've written and - like running your hand over one of those mod glass stovetops to find where the heat is - looking for where the energy is in the prose, then going in the direction of that. It's an exercise in being open to whatever is there.
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Irony is just honesty with the volume cranked up.
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What I'm primarily saying,' he says, 'is that this is a time for knowledge assimilation, not backstabbing. We learned a lesson, you and I. We personally grew. Gratitude for this growth is an appropriate response. Gratitude, and being careful never to make the same mistake twice.
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It seemed to me, in some way, especially when you're looking back at distant historical events, the Truth with a capital T is kind of the juxtaposition of all the many, many, many truths that seem true to people at the time.
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From the beginning [of the Lincoln in the Bardo], I actually had it in mind not to write a novel. I'd kind of gotten past that point where I felt bad for never having written a novel, even to where I felt really good about it, like I was a real purist.
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It's a time when a lot of principle virtues are being tested. Do we still believe in the truth? Do we still believe in empathy? Do we still believe the protection of the weakest among us? These are yes or no questions, but the means of communication is all tied up with those virtues and you can't abandon those virtues as you pursue them.
George Saunders
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All storytelling is kind of that - there's a bit of text that you put pressure on that spits out some desire that a character has and then you follow that. The other part is that every scene raises an expectation in the reader's mind - that's part of its job is to make you look in and be curious.
George Saunders