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My stories, I can understand them as a little toy that you wind up and you put it on the floor and it just goes under the coach. That I get. Beyond that, I'm a little lost.
George Saunders
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George Saunders
Age: 65
Born: 1958
Born: December 2
Essayist
Fantasy Author
Geological Engineer
Geophysicist
Journalist
Novelist
Professor
Prosaist
Short Story Writer
Teacher
Amarillo
Texas
Understand
Lost
Toys
Stories
Coach
Littles
Floor
Little
Coaches
Beyond
Wind
Goes
More quotes by George Saunders
Nostalgia is, 'Hey, remember the other mall that used to be there?'
George Saunders
There's a really nice moment in the life of a piece of writing where the writer starts to get a feeling of it outgrowing him - or he starts to see it having a life of its own that doesn't have anything to do with his ego or his desire to 'be a good writer'.
George Saunders
People who've written about Abraham Lincoln's writing emphasize how logical he was. His writing was a syllogistic tool. He would say, if A, then B, and he would reason through it. His late writing especially is so tight and so beautifully reasoned.
George Saunders
If I go to the coffee shop and have a nice interaction with the barista, I don't know what that does for world peace, but we have to assume that in the great basket of goodness maybe that's one little micron or one little neutron that you've put in there.
George Saunders
The book says [Lincoln in the Bardo],I really need this sci-fi device of a ghost inhabiting another person. You say okay kind of begrudgingly. So the structure seemed informed by need and efficiency.
George Saunders
I guess what I'm trying to say is that whatever weirdness was going to be in there, I felt, had to be earned. And it had to be required by the emotional needs of the book.
George Saunders
I was a straight arrow, a control freak. I didn't do drugs or drink, and this was the '70s. I didn't like the loss of control. Which isn't exactly right, because I didn't know what happened when you did drugs.
George Saunders
I've found that my first drafts are not so special. But the more I work on them, the better they get. They are more unique and defensible.
George Saunders
I knew if I evoked that stuff too easily or gratuitously, as a way of assuaging my fears of not being edgy or whatever, the writing would fall apart. This book [Lincoln in the Bardo] was going to have to have some earnestness in it.
George Saunders
I would say one thing writing this book [Lincoln in the Bardo] did for me was underscore the fact that this issue [all men are created equal] has never been properly addressed and it hasn't gone away.
George Saunders
Err in the direction of kindness.
George Saunders
The greatest thing about writing a book is that at first it's all inchoate, but the more you work on it, the more the book teaches you its internal rules.
George Saunders
One of the principals of composition, I would say, in fiction, is you want to do what you can do a lot of. You want to do what you're enthusiastic about and what rings your bell. In this case, almost every decision I made was on that basis.
George Saunders
Someone told me once - I mean I said, Is it ok that I don't really know what the three-act structure is? And he said, It's basically: Act 1: a guy climbs up a tree Act 2: people come and throw stuff at him Act 3: he gets down.
George Saunders
I often wonder if there are certain areas of real life that are roped off, with a sign saying, Art, don't come in here. But that's maybe a deeper question.
George Saunders
The thing I've discovered that is a help is that there isn't a simple virtue or a simple vice. They're always connected. If you have Tendency A, that you loathe, you can almost be sure that Tendency B, which you love, is somehow connected to it.
George Saunders
Whatever you love, that will be an influence. It just will. So in effect the young writer's job is: go out and find some stuff to love.
George Saunders
Whole swaths of the book [Lincoln in the Bardo] are made up of verbatim quotes from various historical sources, which I cut up and rearranged to form part of the narrative.
George Saunders
In the Buddhist texts, some of them say, when you die, basically that wild horse gets cut loose, and the mind is incredibly powerful and expansive, omniscient and can go anywhere and see anything, but - and this is the catch - it's colored by the habits of thought we made in life.
George Saunders
My artistic approach is that you're supposed to be a little baffled.
George Saunders
