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It really strikes me how much of your energy in America, especially if you're from a working back-ground, is spent just keeping your head above water. It really saps your grace and your strength.
George Saunders
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George Saunders
Age: 65
Born: 1958
Born: December 2
Essayist
Fantasy Author
Geological Engineer
Geophysicist
Journalist
Novelist
Professor
Prosaist
Short Story Writer
Teacher
Amarillo
Texas
Energy
Spent
America
Ground
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Especially
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Working
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Water
Keeping
More quotes by George Saunders
I don't feel like I have the intelligence to really inhabit a consistently high level of prose.
George Saunders
Whatever your supposed politics are - left, right - if you put it in a human connection, most people will rise to the occasion and feel the human pain in a way that they might not if it was presented in a more conceptual way.
George Saunders
It's so ironic that you often hear these right-wing people talking about the Constitution.
George Saunders
The book says [Lincoln in the Bardo],I really need this sci-fi device of a ghost inhabiting another person. You say okay kind of begrudgingly. So the structure seemed informed by need and efficiency.
George Saunders
One of the revelations in that book [Lincoln in the Bardo] for me was this idea about citizenship. Even that word - citizenship - for someone my age, it makes me cringe. But, to me, the political space we're in now argues for a reboot of fairly simple ideas and the examination of the way that Americans have not been living into them.
George Saunders
I think in our time, you know, so much of the information we get is pre-polarized. Fiction has a way of reminding us that we actually are very similar in our emotions and our neurology and our desires and our fears, so I think it's a nice way to neutralize that polarization.
George Saunders
We're in the transition between birth and death. But the one that people often know about is the transition between the moment of death and whatever comes next, so reincarnation or heaven or hell.
George Saunders
I'm repledging myself to human-scale values. As a fiction writer, the best data comes through the senses and is then processed through many revisions. We have to learn to be intelligent assessors of the data coming in to us and what it's doing to our mental process.
George Saunders
Working with language is a means by which we can identify the bullshit within ourselves (and others).
George Saunders
I have nothing. My model is I have nothing figured out, and I'm starting with some little nugget and hoping that it will talk back to me enough to let it grow.
George Saunders
You can see a whole book as a series of creating an expectation and then delivering a skew on that expectation so it's not totally satisfied.
George Saunders
So many people mentioned this at these rallies. You go to these things and it's kind of like an oldies concert. I mean, it's not hostile.
George Saunders
To me, the process of writing is just reading what I've written and - like running your hand over one of those mod glass stovetops to find where the heat is - looking for where the energy is in the prose, then going in the direction of that. It's an exercise in being open to whatever is there.
George Saunders
Stay alert. The big moral crossroads in your life may not come labeled as such.
George Saunders
I would say one thing writing this book [Lincoln in the Bardo] did for me was underscore the fact that this issue [all men are created equal] has never been properly addressed and it hasn't gone away.
George Saunders
For me, things were either very sullied or very pure, very controlled or very under-controlled.
George Saunders
I think the wave of social media rejection is coming. I think there will be a big reaction against it. It's just like sugar- - mean, I loved it as a kid.
George Saunders
There's not a lot of whimsicality in the form, not a lot of indulgence allowed. Like when I was younger, I would sometimes go, Oh, every other section will be narrated by a chair. Or, It will be a double helix shape! That never really worked.
George Saunders
If a writer understands his work as something that originates with him but then, with any luck, gets away from him, then what he needs is someone who can grasp the potential of the piece and lead him to that higher ground.
George Saunders
I see this quality [real interest and joy] in the work of [Pavel] Chekhov, of course, and [Alexei] Tolstoy and really just about any great writer.
George Saunders
