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I think it was a big revelation to me earlier in my life that people who appear to be evil are actually not. In other words, nobody wakes up in the morning and says, Yuck, yuck, yuck, I'm gonna be evil.
George Saunders
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George Saunders
Age: 66
Born: 1958
Born: December 2
Essayist
Fantasy Author
Geological Engineer
Geophysicist
Journalist
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Amarillo
Texas
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More quotes by George Saunders
I attended Catholic school. We received a great education from the nuns. ... Also, guilt. Guilt and a feeling of never being satisfied with what you've done. And a sense that you are inadequate and a big phony. All useful for a writer. I'm always being edited by my inner nun.
George Saunders
I try to keep my artistic opinions not so much to myself but on myself.
George Saunders
I came to writing kind of late. I was an engineer, and the one thing I've learned is that you have to steer a project in the direction of the maximum fun for you. You could say lively energy, or you have to try to be intrigued. Basically, if you were a musician and you were playing joylessly, nobody would want to hear you.
George Saunders
My artistic approach is that you're supposed to be a little baffled.
George Saunders
I've had that my whole career. People were always hedging around the question of: Why are you so dark? What happened to you?
George Saunders
My understanding of kindness is that we are hoping to be truly beneficial in every situation, and that this desire means a whole suite of things: being nicer, sure, but also being more aware, more present, more articulate, more fearless, less habituated, etc., etc. And sometimes even being firm, or having an edge, or even being angry.
George Saunders
I think if someone could demonstrate to me that fiction did no good, I would still do it, because I think it does good for me.
George Saunders
I understand what something short should be like. I understand beauty in that form. If I start extending, somehow I kind of lose my bearings.
George Saunders
I was a big and un-ironic fan of Dear Abby when I was a kid in Chicago. I think I sort of internalized her. So I have this inner Abby: cranky, proper, folksy yet scathing, with a beehive hairdo. But that's my issue.
George Saunders
The old and honorable American notion, that a person who works hard should be able to live in freedom and security, with dignity - seems to have taken on a secondary status.
George Saunders
I think that's one of the maybe under-discussed aspects of process - the difference between a good writing day and a bad one is the quality of the split-second decisions you made.
George Saunders
The book says [Lincoln in the Bardo],I really need this sci-fi device of a ghost inhabiting another person. You say okay kind of begrudgingly. So the structure seemed informed by need and efficiency.
George Saunders
The internet kind of feels like happiness sometimes, however. It feels like stimulation.
George Saunders
The artist's job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn't damaged in the process, and may even get heightened or refined.
George Saunders
You can say you're a liberal and everybody laughs and it's a good time.
George Saunders
The best thing we can bring to any fight is a calm and compassionate mind.
George Saunders
I think this is the other big issue that is not going away: Do we really believe that bit in the Constitution or not? I think we do.
George Saunders
Someone told me once - I mean I said, Is it ok that I don't really know what the three-act structure is? And he said, It's basically: Act 1: a guy climbs up a tree Act 2: people come and throw stuff at him Act 3: he gets down.
George Saunders
I often think about image, and image is something that - but in truth, the real artistic process, as I've understood it, is 95 percent intuitive, like seat-of-the-pants, at-the-moment decisions that you can't even explain, you know?
George Saunders
If a writer understands his work as something that originates with him but then, with any luck, gets away from him, then what he needs is someone who can grasp the potential of the piece and lead him to that higher ground.
George Saunders