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I think the trick of being a writer is to basically put your cards out there all the time and be willing to be as in the dark about what happens next as your reader would be at that time.
George Saunders
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George Saunders
Age: 65
Born: 1958
Born: December 2
Essayist
Fantasy Author
Geological Engineer
Geophysicist
Journalist
Novelist
Professor
Prosaist
Short Story Writer
Teacher
Amarillo
Texas
Willing
Dark
Next
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Happens
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Would
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Time
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Writer
More quotes by George Saunders
We all think we know what happens after death. But maybe it's going to be not only weird but also dorky and comic and inconsistent.
George Saunders
As a writer I'm essentially just trying to impersonate a first-time reader, who picks up the story and has to decide, at every point, whether to keep going.
George Saunders
I think each writer has to seek her most energetic prose style. She has to find a way to write so that nobody can deny it.
George Saunders
It is technically very hard to show positive manifestations. But I can look back at the way I thought and felt even as a little kid and there was a lot of wonder there, and openness to the many sides of life.
George Saunders
The thing I've discovered that is a help is that there isn't a simple virtue or a simple vice. They're always connected. If you have Tendency A, that you loathe, you can almost be sure that Tendency B, which you love, is somehow connected to it.
George Saunders
The main thing a childhood in the Church did for me, I think, was set up the universe as a moral system. Once you've seen it that way, it always seems that way.
George Saunders
In the Buddhist texts, some of them say, when you die, basically that wild horse gets cut loose, and the mind is incredibly powerful and expansive, omniscient and can go anywhere and see anything, but - and this is the catch - it's colored by the habits of thought we made in life.
George Saunders
I was a big and un-ironic fan of Dear Abby when I was a kid in Chicago. I think I sort of internalized her. So I have this inner Abby: cranky, proper, folksy yet scathing, with a beehive hairdo. But that's my issue.
George Saunders
From the beginning [of the Lincoln in the Bardo], I actually had it in mind not to write a novel. I'd kind of gotten past that point where I felt bad for never having written a novel, even to where I felt really good about it, like I was a real purist.
George Saunders
[Lincoln in the Bardo] is not a long book. And that meant I could obsess over it and live in it both backwards and forwards and hyper-control everything.
George Saunders
When I wrote that [Donald] Trump piece, I had this uncomfortable experience of sensing a lot of things that were nascent, that I couldn't quite articulate. And one of them was this move toward anti-intellectualism. An anti-love move, even.
George Saunders
The chances of a person breaking through their own habits and sloth and limited mind to actually write something that gets out there and matters to people are slim.
George Saunders
I'm such a baby if I even get a flu.
George Saunders
The scariest thought in the world is that someday I'll wake up and realize I've been sleepwalking through my life: underappreciating the people I love, making the same hurtful mistakes over and over, a slave to neuroses, fear, and the habitual.
George Saunders
A culture's ability to understand the world and itself is critical to its survival. But today we are led into the arena of public debate by seers whose main gift is their ability to compel people to continue to watch them.
George Saunders
So many people mentioned this at these rallies. You go to these things and it's kind of like an oldies concert. I mean, it's not hostile.
George Saunders
I actually believe that a lot of what people call originality has to do with persistence in the craft.
George Saunders
One of the principals of composition, I would say, in fiction, is you want to do what you can do a lot of. You want to do what you're enthusiastic about and what rings your bell. In this case, almost every decision I made was on that basis.
George Saunders
I think that's one of the maybe under-discussed aspects of process - the difference between a good writing day and a bad one is the quality of the split-second decisions you made.
George Saunders
Someone told me once - I mean I said, Is it ok that I don't really know what the three-act structure is? And he said, It's basically: Act 1: a guy climbs up a tree Act 2: people come and throw stuff at him Act 3: he gets down.
George Saunders
