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I turned 54 this year and I find myself feeling like I'm in a bit of a race to get down on paper the way I really feel about life - or the way it has presented to me. And because it has presented to me very beautifully, this is hard. It is technically very hard to show positive manifestations.

George Saunders

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George Saunders
Age: 65
Born: 1958
Born: December 2
Essayist
Fantasy Author
Geological Engineer
Geophysicist
Journalist
Novelist
Professor
Prosaist
Short Story Writer
Teacher
Amarillo
Texas
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Race
Presented
Really
Show
Manifestation
Way
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Turned
Life
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Paper
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Find
Positive
Hard
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Feel
Feeling
Technically
Feels
Year
Beautifully

More quotes by George Saunders

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That underscored this idea that when we're reading a book or writing a book, you're in an act of co-creation. The reader and the writer are both trying to dress up and present their best selves and then there's that moment, when suddenly, as a reader, you're not exactly you anymore, and likewise, as a writer, you're not really you.
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I was a straight arrow, a control freak. I didn't do drugs or drink, and this was the '70s. I didn't like the loss of control. Which isn't exactly right, because I didn't know what happened when you did drugs.
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All along, my mantra was: Don't write unless it contributes to the emotion, and do anything you do in service of the emotion only.
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I'm a control freak. I'm defensive. And I'm an egomaniac. That's true about me.
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When something really bad is going on in a culture, the average guy doesn't see it. He can't. He's average and is surrounded by and immersed in the cant and discourse of the status quo.
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It would be so weird if we knew just as much as we needed to know to answer all the questions of the universe. Wouldn't that be freaky? Whereas the probability is high that there is a vast reality that we have no way to perceive, that's actually bearing down on us now and influencing everything.
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The scariest thought in the world is that someday I'll wake up and realize I've been sleepwalking through my life: underappreciating the people I love, making the same hurtful mistakes over and over, a slave to neuroses, fear, and the habitual.
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If I find myself being too earnest and sentimental and hyperbolic and simplistic, which is definitely a tendency I have, then I bring in this perverse henchman.
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My idea about collections is that you write as hard as you can for some period and what you're really doing during that time is hyper-focusing on the individual pieces - trying to make each one sit up and really do some surprising work.
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Writing and reading and speaking with specificity and skill has never seen more important to me than it does at this moment. It's what's between us and chaos.
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In my personal and spiritual life, I reject that. I don't believe in that. I'm always trying to get my mind into a less judgmental place, making less rigid judgments about things like perverse versus pure. But in terms of prose, those sorts of oppositions seem to work.
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I don't mind being criticized intelligently although I don't love it.
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It's so ironic that you often hear these right-wing people talking about the Constitution.
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The artist's job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn't damaged in the process, and may even get heightened or refined.
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The mind is a machine that is constantly asking: What would I prefer? Close your eyes, refuse to move, and watch what your mind does. What it does is become discontent with that-which-is. A desire arises, you satisfy that desire, and another arises in its place.
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It was that impossible thing: happiness that does not wilt to reveal the thin shoots of some new desire rising from within it.
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The thing I've discovered that is a help is that there isn't a simple virtue or a simple vice. They're always connected. If you have Tendency A, that you loathe, you can almost be sure that Tendency B, which you love, is somehow connected to it.
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If death is in the room, it's pretty interesting. But I would also say that I'm interested in getting myself to believe that it's going to happen to me. I'm interested in it, because if you're not, you're nuts. It's really de facto what we're here to find out about.
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I'm a big lover of America. I love the people, but also the weird berms, the strange little high schools tucked away in different places, and just the whole geography and the psycho­logical apparatus of Americans.
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If you want to be good, all you've got to do is be good.
George Saunders