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Err in the direction of kindness.

George Saunders

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George Saunders
Age: 65
Born: 1958
Born: December 2
Essayist
Fantasy Author
Geological Engineer
Geophysicist
Journalist
Novelist
Professor
Prosaist
Short Story Writer
Teacher
Amarillo
Texas
Collaboration
Direction
Kindness

More quotes by George Saunders

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Some of Buddhist texts say that, in the moment after you die, you think of New Jersey and you go to New Jersey or you think of 1820 and you go to 1820. Also, all your sort of inner-symbology gets writ large. So, if you're a Christian, you see Christian iconography.
George Saunders
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Kindness, it turns out, is hard - it starts out all rainbows and puppy dogs, and expands to include . . . well, EVERYTHING.
George Saunders
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The chances of a person breaking through their own habits and sloth and limited mind to actually write something that gets out there and matters to people are slim.
George Saunders
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It's a big world, and I really like it.
George Saunders
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I don't know about transformation. But scientifically you can say: Well, it doesn't seem to hurt anybody. Personally I've been cheered by books at really critical moments. That much I believe.
George Saunders
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My idea about collections is that you write as hard as you can for some period and what you're really doing during that time is hyper-focusing on the individual pieces - trying to make each one sit up and really do some surprising work.
George Saunders
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For me, when I'm coming up to a place where I have to make somebody up, it's almost like driving and taking your hands off the wheel.
George Saunders
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In fiction, conceptualizing, I've found, produces dull and over-controlled text.
George Saunders
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In the Buddhist texts, some of them say, when you die, basically that wild horse gets cut loose, and the mind is incredibly powerful and expansive, omniscient and can go anywhere and see anything, but - and this is the catch - it's colored by the habits of thought we made in life.
George Saunders
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Writing and reading and speaking with specificity and skill has never seen more important to me than it does at this moment. It's what's between us and chaos.
George Saunders
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People who've written about Abraham Lincoln's writing emphasize how logical he was. His writing was a syllogistic tool. He would say, if A, then B, and he would reason through it. His late writing especially is so tight and so beautifully reasoned.
George Saunders
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It really strikes me how much of your energy in America, especially if you're from a working back-ground, is spent just keeping your head above water. It really saps your grace and your strength.
George Saunders
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For me, the game would be to assume a very intelligent reader who can extrapolate a lot from a little. And that's become my definition of art to get that pitch just right, where I can put a hint on page three, and the reader's ears go up a bit, as opposed to dropping it all on the first page.
George Saunders
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If I find myself being too earnest and sentimental and hyperbolic and simplistic, which is definitely a tendency I have, then I bring in this perverse henchman.
George Saunders
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We have that illusion that we are 'deciding' what to make a character do, in order to 'convey our message' or something like that. But, at least in my experience, you are often more like a river-rafting guide who's been paid a bonus to purposely steer your clients into the roughest possible water.
George Saunders
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The book says [Lincoln in the Bardo],I really need this sci-fi device of a ghost inhabiting another person. You say okay kind of begrudgingly. So the structure seemed informed by need and efficiency.
George Saunders
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When you're out there in America, meeting with regular people, it's a pretty mellow, relaxed, kind-hearted country. The direction from the top, from the President, is following mean-spirited tendencies: fear and undue caution and distrust of the other, so it's very depressing.
George Saunders
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It's so ironic that you often hear these right-wing people talking about the Constitution.
George Saunders
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Stories, as much as we like to talk about them, retrospectively, as emanations of theme or worldview or intention, occur primarily as technical objects when they're being written. Or at least they do for me. They're the result of thousands of decisions made at speed during revision.
George Saunders
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The artist's job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn't damaged in the process, and may even get heightened or refined.
George Saunders