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I have lunch, flirt with some local grandmothers, undercut my flirting by crotching myself on the corner of a table as I leave. -- The Great Divider
George Saunders
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George Saunders
Age: 65
Born: 1958
Born: December 2
Essayist
Fantasy Author
Geological Engineer
Geophysicist
Journalist
Novelist
Professor
Prosaist
Short Story Writer
Teacher
Amarillo
Texas
Great
Lunch
Locals
Local
Divider
Grandmother
Undercut
Corners
Grandmothers
Table
Flirt
Tables
Flirting
Leave
Corner
More quotes by George Saunders
I don't use the word lightly, in fact, I don't use it at all, but Ben Marcus is a genius, one of the most daring, funny, morally engaged and brilliant writers, someone whose work truly makes a difference in the world. His prose is, for me, awareness objectified-he makes the word new and thus the world.
George Saunders
Anyone can be shamed, but feeling guilt requires empathy within.
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I have finally realized that, you know, it's not a given that my lifespan will accommodate my writing aspirations.
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My heartfelt wish for you: as you get older, your self will diminish and you will grow in love.
George Saunders
We have not been energetic enough - white people haven't - in pursuing racial equity.
George Saunders
When I write I know that I'm going to have to produce 40 percent more than I need.
George Saunders
My mind has an obsessive, neurotic quality, but I also have a very hard work ethic. I know that a lot of people think, oh, you have a wild imagination. I don't, really. If ten people are sitting around and someone says, Hey complete this sentence in a funny way, I'm never ahead of the pack.
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I try to keep my artistic opinions not so much to myself but on myself.
George Saunders
The old and honorable American notion, that a person who works hard should be able to live in freedom and security, with dignity - seems to have taken on a secondary status.
George Saunders
In a story, for example, you'll start off with a character who is a little bit of a cartoon. That's not satisfying and you start revising. And as you revise you always are making it better by being specific and by observing more closely, which actually is really the same as saying you love your characters. The close observation equals love of them.
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Humor is what happens when we're told the truth quicker and more directly than we're used to.
George Saunders
As a writer I'm essentially just trying to impersonate a first-time reader, who picks up the story and has to decide, at every point, whether to keep going.
George Saunders
I'm a big lover of America. I love the people, but also the weird berms, the strange little high schools tucked away in different places, and just the whole geography and the psychological apparatus of Americans.
George Saunders
There comes that phase in life when, tired of losing, you decide to stop losing, then continue losing. Then you decide to really stop losing, and continue losing. The losing goes on and on so long you begin to watch with curiosity, wondering how low you can go.
George Saunders
I'm such a baby if I even get a flu.
George Saunders
I turned 54 this year and I find myself feeling like I'm in a bit of a race to get down on paper the way I really feel about life - or the way it has presented to me. And because it has presented to me very beautifully, this is hard. It is technically very hard to show positive manifestations.
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The one thing about A Christmas Carol that always bothers me is that Cratchit is so sweet and perfect. He's like an Ivy League kid who just is labeled poor. He doesn't have any bad habits. He's never cranky with his kids.
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One of the inspiring things about Susan Sarandon career is that there's a quality of real fearlessness in it - you seem to be in it for the challenge and the experience.
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I think if someone could demonstrate to me that fiction did no good, I would still do it, because I think it does good for me.
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One of the revelations in that book [Lincoln in the Bardo] for me was this idea about citizenship. Even that word - citizenship - for someone my age, it makes me cringe. But, to me, the political space we're in now argues for a reboot of fairly simple ideas and the examination of the way that Americans have not been living into them.
George Saunders