I'm proud to be a crime novelist. What I've chosen is the best way to convey the questions I'm trying to raise.

If the storytellers told it true, all stories would end in death.

Soon it began to drizzle for the second time that night. The drops grew heavier and became visible in the headlights of the cars. It was said by some of the police on the scene that God was crying for the girl in the garden. To others, it was only rain.

We remember when women were spoken of differently. I don't mean that we didn't speak of women sexually - that happened. It was never this crude: there wasn't the connotations, the violence. I think there's got to be a relationship between the coarsening of the culture, of which pornography was a piece of the puzzle.

The thirst for knowledge is like a piece of ass you know you shouldn't chase in the end, you chase it just the same.

The most popular American fiction seems to be about successful people who win, and good crime fiction typically does not explore that world. But honestly, if all crime fiction was quality fiction, it would be taken more seriously.

We get schooled by the people around us, and it stays inside us deep.

Top-shelf fiction, a Crown Royal ride into the heart of Night and New York. Con Lehane's work is reminiscent of the best of Lawrence Block, which is to say that this is very good stuff, indeed.

But when I do book signings and personal appearances, the audiences are mostly white. Growing up here, I expected that and understand it. Black audiences won't come out for a white writer for the most part. It really is just a fact of life.