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Back through the ages of barbarism and civilization, in all tongues, we find this instinctive pleasure in the imitative action that is the very essence of all drama.

George P. Baker

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George P. Baker
Age: 91 †
Born: 1903
Born: November 1
Died: 1995
Died: January 25
University Teacher
Cambridge
Massachusetts
George Pierce Baker
Civilization
Transcendentalism
Pleasure
Instinctive
Age
Tongues
Action
Barbarism
Back
Ages
Find
Tongue
Drama
Essence
Imitative

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In the best farce today we start with some absurd premise as to character or situation, but if the premises be once granted we move logically enough to the ending.
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Rare is the human being, immature or mature, who has never felt an impulse to pretend he is some one or something else.
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What then is tragedy? In the Elizabethan period it was assumed that a play ending in death was a tragedy, but in recent years we have come to understand that to live on is sometimes far more tragic than death.
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But what is drama? Broadly speaking, it is whatever by imitative action rouses interest or gives pleasure.
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Out of the past come the standards for judging the present standards in turn to be shaped by the practice of present-day dramatists into broader standards for the next generation.
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No drama, however great, is entirely independent of the stage on which it is given.
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We do not kill the drama, we do not really limit its appeal by failing to encourage the best in it but we do thereby foster the weakest and poorest elements.
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Drama read to oneself is never drama at its best, and is not even drama as it should be.
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When the drama attains a characterization which makes the play a revelation of human conduct and a dialogue which characterizes yet pleases for itself, we reach dramatic literature.
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In all the great periods of the drama perfect freedom of choice and subject, perfect freedom of individual treatment, and an audience eager to give itself to sympathetic listening, even if instruction be involved, have brought the great results.
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