Quote

To my mind, there are no unattractive women only those who haven't been awakened by love . . . A woman is often like a strip of film-obliterated, insignificant-until a man puts the light behind her.

George Hamilton

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George Hamilton
Age: 85
Born: 1939
Born: August 12
Actor
Film Actor
Film Director
Film Producer
Television Actor
Memphis
Tennessee
George Stevens Hamilton
Women
Havens
Mind
Haven
Men
Behinds
Obliterated
Love
Behind
Unattractive
Like
Woman
Strip
Often
Awakened
Film
Insignificant
Light
Puts

More quotes by George Hamilton

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Welcome to the Nou Camp stadium in Barcelona that is packed to capacity... with some patches of seats left empty.
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It flew towards the roof of the net like a Wurlitzer
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And in reaching out and doing these new things you get into this strange kind of shape where you are better off than if you were just resting, because you're using things that wouldn't otherwise be mute.
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I had a good time doing [The Congressman], and I hope that Treat [Williams] and I plan to go flying in his [private] jet!
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After I got out of the studio system, I was completely [broke] for the 30th time they said I’d never work again. So I’m going to go and produce those movies that they wouldn’t let me do.
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Woody [Allen] is a fascinating character to be around. You don't really know what he's going to want. You're on your toes, but you're on your heels too, if you know what I mean.
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Basically, I'm a shy human being. Very introverted.
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He's pulling him off! The Spanish manager is pulling his captain off
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I'm not somebody who runs from the press. I'm not coy. I appreciate the press I've had over the years.
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The worst drug of today is not smack or pot - it's refined sugar.
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When you hear Treat's [ Williams] doing a movie, or you'd like to work with Treat again, you hope the script is good. And then you find out the script is good. You go and you do it for the fun of it. And you feel like you can be proud of something.
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You do a movie [where] you like the script [and] it has something to say that you care about. And there are certain people in this industry that you kind of stick with. Guys like [“The Congressman” producer] Fred Roos. They call you, and if you’re not working, that’s what you do.
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When I said they'd scored two goals, of course I meant they'd scored one.
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A world-class playboy once told me that the key to mesmerising women is to listen to them and look deeply into their eyes.
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I never took the work less than serious, my work ethic is ingrained in me. But I've always had a sense of humor about myself.
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I consume an enormous number of books, but they're always on a particular subject because I'm obsessive.
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A woman beautiful facially can negate all her beauty by no longer being feminine.
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John Milius and Francis Ford Coppola and Oliver Stone - those guys are consummate filmmakers. They believe that you don't talk it, you show it. So when I find a role now, I try to find a visual way to tell what the character is about rather than trying to speak about it.
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I went in to play the most corrupt politician I could possibly think of [in The Congressman] and to do it with a certain kind of charm.
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My mother was a star-struck girl from a little town in Arkansas who had gone to finishing school in New York, and whose mother had given her anything she ever wanted.
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