My drawings and paintings were done as an act of protest I was trying by means of my work to convince the world that it is ugly, sick and hypocritical.

The war was a mirror it reflected man's every virtue and every vice, and if you looked closely, like an artist at his drawings, it showed up both with unusual clarity.

Painting is manual labor, no different from any other it can be done well or poorly.

I thought the war would never end. And perhaps it never did, either.

In public buildings set aside for the care and maintenance of the goods of the middle ages, a staff of civil service art attendants praise all the dead, irrelevant scribblings and scrawlings that, at best, have only historical interest for idiots and layabouts.

The cult of individuality and personality, which promotes painters and poets only to promote itself, is really a business. The greater the 'genius' of the personage, the greater the profit.

I stood up as best I could to their disgusting stupidity and brutality, but I did not, of course, manage to beat them at their own game. It was a fight to the bitter end, one in which I was not defending ideals or beliefs but simply my own self.

The neutrality and clarity of an engineering drawing is a better model for teaching about art than all the uncontrollable drivel about the cabbala and metaphysics and the ecstasy of sainthood.

Very little changed fundamentally, except that the proud German soldier had turned into a defeated bundle of misery and the great German army had disintegrated.

I was disappointed, not because we had lost the war but because our people had allowed it to go on for so many years, instead of heeding the few voices of protest against all that mass insanity and slaughter.