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We have seen so many exhibits in recent years where the exhibition design was aesthetically beautiful. In this case, if someone wants to get something out of the exhibit, they must neglect the aesthetics and look at my pictures.

Georg Baselitz

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Georg Baselitz
Age: 86
Born: 1938
Born: January 23
Graphic Artist
Illustrator
Painter
Printmaker
Sculptor
University Teacher
Hans-Georg Kern
Georg Dern
G. Baselitz
Hans-Georg Baselitz
Georg Kern
Hans Georg Kern
Something
Design
Exhibition
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Wants
Exhibit
Seen
Aesthetics
Beautiful
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Pictures
Must
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More quotes by Georg Baselitz

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I don't paint over my paintings with black paint. I paint black paintings. It isn't because I'm sad, just as I didn't paint red paintings yesterday because I was happy. Nor will I paint yellow paintings tomorrow because I'm jealous.
Georg Baselitz
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As an artist, I have been a risk-taker. And I've done a lot of different things. I don't make it easy for people. Identification is difficult. One doesn't recognize my art right away.
Georg Baselitz
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Women don't paint very well. It's a fact. There are, of course, exceptions. Agnes Martin or, from the past, Paula Modersohn-Becker.
Georg Baselitz
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Most of arts what comes from the States to Europe has something to do with entertainment. I can't imagine artists in the United States having the same kind of isolated position that we have here in Europe. I have a feeling one lives more publically in the States.
Georg Baselitz
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I started collecting my artist friends, artists like myself who nobody had yet noticed. In everything, all I am collecting, so to speak, are my friends - artist friends.
Georg Baselitz
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I paint German artists whom I admire. I paint their pictures, their work as painters, and their portraits too. But oddly enough, each of these portraits ends up as a picture of a woman with blonde hair. I myself have never been able to work out why this happens.
Georg Baselitz
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An object painted upside down is suitable for painting because it is unsuitable as an object.
Georg Baselitz
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When Michael Werner saw a painting of mine, such as Die grosse Nacht im Eimer, which back then nobody wanted and everybody thought was ridiculous, he realized that this was the right provocation, that it represented the feeling of the times in the right way.
Georg Baselitz
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I've painted, but I've also done graphics since as long as I can remember. So even people with little to spend could afford it. But even the graphic works are only bought by those who buy the big, expensive paintings. I think that's troublesome.
Georg Baselitz
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The artist is not responsible to any one. His social role is asocial... his only responsibility consists in an attitude to the work he does.
Georg Baselitz
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That was in 1957. And there I found out that Germany is a kind of province. I didn't know anything about expressionism, about the Bauhaus and Dada and surrealism. I was uneducated, so to speak - and everybody else was more or less uneducated, too.
Georg Baselitz
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The reality is the picture, it is most certainly not in the picture.
Georg Baselitz
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Asked what role he believes art plays in society, Baselitz replied, 'The same role as a good shoe, nothing more.
Georg Baselitz
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In a place like the Guggenheim, I would like to be a representative of arte povera. This would be my ideal.
Georg Baselitz
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I don't like things that can be reproduced. Wood isn't important in itself but rather in the fact that objects made in it are unique, simple, unpretentious.
Georg Baselitz
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I became an artist because of the possibility it gave me to develop in another way, because I didn't want to follow the same lines the others around me did. I was educated in the former German Democratic Republic, which meant that an individual figure had to be... like a soldier in the army.
Georg Baselitz
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Nowhere in my collection do I, say, have a Auguste Renoir painting. Because everybody knows that this is a good painter without me having to demonstrate it.
Georg Baselitz
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I hang my work upside down to emphasize surface.
Georg Baselitz
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Museums collect what's important in their respective countries. In Berlin's National Gallery, however, this isn't the case. They're interested neither in me nor the other usual suspects. It's simply a German reality.
Georg Baselitz
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There is no communication with any public whatsoever. The artist can ask no question, and he makes no statement he offers no information, and his work cannot be used. It is the end product which counts.
Georg Baselitz