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I was always on the outside. It was the worst when I still wanted to be a professor, having to deal with colleagues and students, and having to listen to all that academic nonsense. It's really just a haze that keeps them busy. But all of that is fortunately over now, once and for all.

Georg Baselitz

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Georg Baselitz
Age: 86
Born: 1938
Born: January 23
Graphic Artist
Illustrator
Painter
Printmaker
Sculptor
University Teacher
Hans-Georg Kern
Georg Dern
G. Baselitz
Hans-Georg Baselitz
Georg Kern
Hans Georg Kern
Listen
Professor
Deal
Colleagues
Worst
Academic
Still
Nonsense
Keeps
Wanted
Busy
Really
Outside
Haze
Always
Students
Fortunately

More quotes by Georg Baselitz

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I think the defect actually lies with male artists. Male artists often border on idiocy, while it's important for a woman not to be that way, if possible. Women are outstanding in science, just as good as men.
Georg Baselitz
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I became an artist because of the possibility it gave me to develop in another way, because I didn't want to follow the same lines the others around me did. I was educated in the former German Democratic Republic, which meant that an individual figure had to be... like a soldier in the army.
Georg Baselitz
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Women don't paint very well. It's a fact. There are, of course, exceptions. Agnes Martin or, from the past, Paula Modersohn-Becker.
Georg Baselitz
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I started collecting my artist friends, artists like myself who nobody had yet noticed. In everything, all I am collecting, so to speak, are my friends - artist friends.
Georg Baselitz
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I've painted, but I've also done graphics since as long as I can remember. So even people with little to spend could afford it. But even the graphic works are only bought by those who buy the big, expensive paintings. I think that's troublesome.
Georg Baselitz
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Asked what role he believes art plays in society, Baselitz replied, 'The same role as a good shoe, nothing more.
Georg Baselitz
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In Germany, we often hear the absurd complaint that museums don't have the money to buy paintings. Of course, I'm not talking about me and my paintings. There are, after all, more popular painters in this country.
Georg Baselitz
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As an artist, I have been a risk-taker. And I've done a lot of different things. I don't make it easy for people. Identification is difficult. One doesn't recognize my art right away.
Georg Baselitz
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When Michael Werner saw a painting of mine, such as Die grosse Nacht im Eimer, which back then nobody wanted and everybody thought was ridiculous, he realized that this was the right provocation, that it represented the feeling of the times in the right way.
Georg Baselitz
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I don't see art as entertainment.
Georg Baselitz
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A citizen sticks to conventions, does whatever is social. Artists, of course, must reject all conventions. I see no differently in reconciling the best of both of these worlds.
Georg Baselitz
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Most of arts what comes from the States to Europe has something to do with entertainment. I can't imagine artists in the United States having the same kind of isolated position that we have here in Europe. I have a feeling one lives more publically in the States.
Georg Baselitz
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The artist is not responsible to any one. His social role is asocial... his only responsibility consists in an attitude to the work he does.
Georg Baselitz
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We have seen so many exhibits in recent years where the exhibition design was aesthetically beautiful. In this case, if someone wants to get something out of the exhibit, they must neglect the aesthetics and look at my pictures.
Georg Baselitz
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The reality is the picture, it is most certainly not in the picture.
Georg Baselitz
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Talent seduces us into interpretation. My sister could draw wonderfully, but she would never have hit upon the idea of becoming a painter. I never had that extreme talent.
Georg Baselitz
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The idea of changing or improving the world is alien to me and seems ludicrous. Society functions, and always has, without the artist. No artist has ever changed anything for better or worse.
Georg Baselitz
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You dig in and you find something.
Georg Baselitz
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In a place like the Guggenheim, I would like to be a representative of arte povera. This would be my ideal.
Georg Baselitz
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Museums collect what's important in their respective countries. In Berlin's National Gallery, however, this isn't the case. They're interested neither in me nor the other usual suspects. It's simply a German reality.
Georg Baselitz