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I hang my work upside down to emphasize surface.
Georg Baselitz
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Georg Baselitz
Age: 86
Born: 1938
Born: January 23
Graphic Artist
Illustrator
Painter
Printmaker
Sculptor
University Teacher
Hans-Georg Kern
Georg Dern
G. Baselitz
Hans-Georg Baselitz
Georg Kern
Hans Georg Kern
Upside
Hang
Surface
Work
Exhibitions
Emphasize
More quotes by Georg Baselitz
I don't paint over my paintings with black paint. I paint black paintings. It isn't because I'm sad, just as I didn't paint red paintings yesterday because I was happy. Nor will I paint yellow paintings tomorrow because I'm jealous.
Georg Baselitz
There's a market for art, and things are indeed going swimmingly, especially for German artists. But everything takes place in America and in London, where there are quite a few wealthy, engaged people. What motivates them to buy art is a different question, but they do.
Georg Baselitz
You dig in and you find something.
Georg Baselitz
I don't like things that can be reproduced. Wood isn't important in itself but rather in the fact that objects made in it are unique, simple, unpretentious.
Georg Baselitz
Most of arts what comes from the States to Europe has something to do with entertainment. I can't imagine artists in the United States having the same kind of isolated position that we have here in Europe. I have a feeling one lives more publically in the States.
Georg Baselitz
An object painted upside down is suitable for painting because it is unsuitable as an object.
Georg Baselitz
I paint German artists whom I admire. I paint their pictures, their work as painters, and their portraits too. But oddly enough, each of these portraits ends up as a picture of a woman with blonde hair. I myself have never been able to work out why this happens.
Georg Baselitz
A citizen sticks to conventions, does whatever is social. Artists, of course, must reject all conventions. I see no differently in reconciling the best of both of these worlds.
Georg Baselitz
Asked what role he believes art plays in society, Baselitz replied, 'The same role as a good shoe, nothing more.
Georg Baselitz
I've painted, but I've also done graphics since as long as I can remember. So even people with little to spend could afford it. But even the graphic works are only bought by those who buy the big, expensive paintings. I think that's troublesome.
Georg Baselitz
I was always on the outside. It was the worst when I still wanted to be a professor, having to deal with colleagues and students, and having to listen to all that academic nonsense. It's really just a haze that keeps them busy. But all of that is fortunately over now, once and for all.
Georg Baselitz
I became an artist because of the possibility it gave me to develop in another way, because I didn't want to follow the same lines the others around me did. I was educated in the former German Democratic Republic, which meant that an individual figure had to be... like a soldier in the army.
Georg Baselitz
As an artist, I have been a risk-taker. And I've done a lot of different things. I don't make it easy for people. Identification is difficult. One doesn't recognize my art right away.
Georg Baselitz
When Michael Werner saw a painting of mine, such as Die grosse Nacht im Eimer, which back then nobody wanted and everybody thought was ridiculous, he realized that this was the right provocation, that it represented the feeling of the times in the right way.
Georg Baselitz
The reality is the picture, it is most certainly not in the picture.
Georg Baselitz
That was in 1957. And there I found out that Germany is a kind of province. I didn't know anything about expressionism, about the Bauhaus and Dada and surrealism. I was uneducated, so to speak - and everybody else was more or less uneducated, too.
Georg Baselitz
I don't see art as entertainment.
Georg Baselitz
Nowhere in my collection do I, say, have a Auguste Renoir painting. Because everybody knows that this is a good painter without me having to demonstrate it.
Georg Baselitz
A painter doesn't need any talent. In fact, it's better not to have it.
Georg Baselitz
The artist is not responsible to any one. His social role is asocial... his only responsibility consists in an attitude to the work he does.
Georg Baselitz