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When you are playing an egomaniac running a fantastical ship, you don't want him to be too suburban. Naturalism doesn't work on the high seas.

Geoffrey Rush

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Geoffrey Rush
Age: 73
Born: 1951
Born: July 6
Actor
Film Actor
Film Producer
Stage Actor
Geoffrey Roy Rush
Work
Seas
Ship
Ships
Sea
Egomaniac
Playing
Egomaniacs
High
Fantastical
Running
Suburban
Doesn
Naturalism

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My kids started school, so having a strong base in Melbourne has been a key priority. I'm not daunted by the travel. People say, 'It's so far to Australia,' and I say, 'You get on the plane, you eat well, you sleep, you wake up - and you're there.'
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I think that Ionesco's greatest weapon is that he's able to make us laugh at the darkest corners of our souls.
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People tend to think of Brisbane as a sleepy, sub-topical place. I don't know. It's like Baltimore or something. I don't know. You would hear the family dramas going on behind closed doors.
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You had to be into sport and, sad to say, I'm a traitor to my country because I don't have a sporting bone in my body.
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What I appreciated was the fact that the script delved into how Australians were - and still are - condescended to by the English.
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For sure, you have to be lost to find a place that can’t be found.
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I do love perusing the dictionary to find how many words I don't use - words that have specific, sharp, focused meaning. I also love the sound of certain words. I love the sound of the word pom-pom.
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Nobody ever said that growing old would be easy. Just having to hold the newspaper out in your forties and then hair growing out of unusual parts of your body in your fifties. It's tough on the ego.
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I die in almost every film I've been in.
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But as my voice coach keeps saying, if we actually spoke the way they imagine the Elizabethan voice might have been, we wouldn't be able to understand it.
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I didn't know the Green Lantern comics at all. I was a Superman reader.
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If in the sex scene you happen to be naked in front of a lot of other people you've just got to put that aside, in the same way that you have to put that aside in a fully-clothed intense dialogue scene because you're entering into that particular imaginative state of play.
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Most films I've worked on have had large casts, but they've been wonderful people. I think the monkey in Pirates of the Caribbean is the most temperamental costar I've had. It would throw tantrums like you wouldn't believe.
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I would always slip away to the cinema. I always found something absolutely extraordinary about the fact that these actors were always kind of kicking hard at some new dimension they were doing on film.
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When people come and tell me I was terrific in this or that, I do not want to fall flat on my face next time. But, tough, I have fallen flat before. You just get up and dust yourself off.
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I was never a leading man. I've always been in the outer concentric circles in the company, being a character actor, which is a good place to be. It gives you that diversity.
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Within our culture, every school has a swimming pool. We lived on the coast. People swam in the surf. It's a very sporty nation and at that particular time anyone who had an artistic bent was very much an outsider. So if you liked reading or ideas or playing the piano then your dad viewed you as a sissy, basically.
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More people have a fear of speaking than a fear of death. So at a funeral, most people would want to be the person in the coffin rather than the person delivering the eulogy!
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I always had a fantasy of being a chef, because I like kitchen life.
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I wouldn't mind meeting some of the people I've attempted to portray from the olden, olden days. They probably would all have really terrible skin and horrible bad breath, and I'd have to give them an Altoid.
Geoffrey Rush