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I wouldn't mind meeting some of the people I've attempted to portray from the olden, olden days. They probably would all have really terrible skin and horrible bad breath, and I'd have to give them an Altoid.

Geoffrey Rush

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Geoffrey Rush
Age: 73
Born: 1951
Born: July 6
Actor
Film Actor
Film Producer
Stage Actor
Geoffrey Roy Rush
Days
Breaths
Give
Skin
Giving
Meetings
Mind
Skins
Olden
Really
Horrible
Attempted
Would
Wouldn
Portray
People
Terrible
Meeting
Probably
Breath

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When you are playing an egomaniac running a fantastical ship, you don't want him to be too suburban. Naturalism doesn't work on the high seas.
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I suddenly became aware over the last couple of years that I'm in my sixties. I never thought about it. I thought I'd better start acting my age or find roles that are going to be interesting to me in the sexagenarian repertoire, because it's not what you do in your forties or fifties.
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I've discovered I prefer to prepare a few notes or actually write the speech so I can really hone it down to hopefully be entertaining, try and get a laugh at least by the second line, and then say what you need to say.
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People tend to think of Brisbane as a sleepy, sub-topical place. I don't know. It's like Baltimore or something. I don't know. You would hear the family dramas going on behind closed doors.
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I would always slip away to the cinema. I always found something absolutely extraordinary about the fact that these actors were always kind of kicking hard at some new dimension they were doing on film.
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Within our culture, every school has a swimming pool. We lived on the coast. People swam in the surf. It's a very sporty nation and at that particular time anyone who had an artistic bent was very much an outsider. So if you liked reading or ideas or playing the piano then your dad viewed you as a sissy, basically.
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I went to England in the '70s, and I was in my early 20s. There was still a residue of that era of being an underclass or colonial. I assume it must have been a more aggressive and prominent attitude 40 years before that, because Australia internationally wasn't regarded as having much cultural value. We were a country full of sheep and convicts.
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I often thought I was in the wrong business. I was pretty seriously thinking of tossing it in before I shot Shine. I do not know why. I was pretty restless, I had been through a bad period of stress induced anxiety - panic attacks - and I was not sure of what I wanted to do.
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You had to be into sport and, sad to say, I'm a traitor to my country because I don't have a sporting bone in my body.
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I didn't know the Green Lantern comics at all. I was a Superman reader.
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More people have a fear of speaking than a fear of death. So at a funeral, most people would want to be the person in the coffin rather than the person delivering the eulogy!
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I think that Ionesco's greatest weapon is that he's able to make us laugh at the darkest corners of our souls.
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I always had a fantasy of being a chef, because I like kitchen life.
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My kids started school, so having a strong base in Melbourne has been a key priority. I'm not daunted by the travel. People say, 'It's so far to Australia,' and I say, 'You get on the plane, you eat well, you sleep, you wake up - and you're there.'
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I was never a leading man. I've always been in the outer concentric circles in the company, being a character actor, which is a good place to be. It gives you that diversity.
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I do love perusing the dictionary to find how many words I don't use - words that have specific, sharp, focused meaning. I also love the sound of certain words. I love the sound of the word pom-pom.
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I die in almost every film I've been in.
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But as my voice coach keeps saying, if we actually spoke the way they imagine the Elizabethan voice might have been, we wouldn't be able to understand it.
Geoffrey Rush
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If in the sex scene you happen to be naked in front of a lot of other people you've just got to put that aside, in the same way that you have to put that aside in a fully-clothed intense dialogue scene because you're entering into that particular imaginative state of play.
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What I appreciated was the fact that the script delved into how Australians were - and still are - condescended to by the English.
Geoffrey Rush