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But as my voice coach keeps saying, if we actually spoke the way they imagine the Elizabethan voice might have been, we wouldn't be able to understand it.

Geoffrey Rush

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Geoffrey Rush
Age: 73
Born: 1951
Born: July 6
Actor
Film Actor
Film Producer
Stage Actor
Geoffrey Roy Rush
Actually
Spokes
Voice
Spoke
Understand
Coach
Able
Coaches
Might
Keeps
Way
Wouldn
Saying
Imagine
Elizabethan

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What I appreciated was the fact that the script delved into how Australians were - and still are - condescended to by the English.
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I didn't know the Green Lantern comics at all. I was a Superman reader.
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They were saying, 'Keep this under your hat, but Jack Sparrow's going to die in the second movie.' I went, 'You're kidding me. The fans are going to go berserk.'
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I've discovered I prefer to prepare a few notes or actually write the speech so I can really hone it down to hopefully be entertaining, try and get a laugh at least by the second line, and then say what you need to say.
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I do love perusing the dictionary to find how many words I don't use - words that have specific, sharp, focused meaning. I also love the sound of certain words. I love the sound of the word pom-pom.
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You had to be into sport and, sad to say, I'm a traitor to my country because I don't have a sporting bone in my body.
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I wouldn't mind meeting some of the people I've attempted to portray from the olden, olden days. They probably would all have really terrible skin and horrible bad breath, and I'd have to give them an Altoid.
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I often thought I was in the wrong business. I was pretty seriously thinking of tossing it in before I shot Shine. I do not know why. I was pretty restless, I had been through a bad period of stress induced anxiety - panic attacks - and I was not sure of what I wanted to do.
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I went to England in the '70s, and I was in my early 20s. There was still a residue of that era of being an underclass or colonial. I assume it must have been a more aggressive and prominent attitude 40 years before that, because Australia internationally wasn't regarded as having much cultural value. We were a country full of sheep and convicts.
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Nobody ever said that growing old would be easy. Just having to hold the newspaper out in your forties and then hair growing out of unusual parts of your body in your fifties. It's tough on the ego.
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Within our culture, every school has a swimming pool. We lived on the coast. People swam in the surf. It's a very sporty nation and at that particular time anyone who had an artistic bent was very much an outsider. So if you liked reading or ideas or playing the piano then your dad viewed you as a sissy, basically.
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I was never a leading man. I've always been in the outer concentric circles in the company, being a character actor, which is a good place to be. It gives you that diversity.
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For sure, you have to be lost to find a place that can’t be found.
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When people come and tell me I was terrific in this or that, I do not want to fall flat on my face next time. But, tough, I have fallen flat before. You just get up and dust yourself off.
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I think that Ionesco's greatest weapon is that he's able to make us laugh at the darkest corners of our souls.
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I would always slip away to the cinema. I always found something absolutely extraordinary about the fact that these actors were always kind of kicking hard at some new dimension they were doing on film.
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If in the sex scene you happen to be naked in front of a lot of other people you've just got to put that aside, in the same way that you have to put that aside in a fully-clothed intense dialogue scene because you're entering into that particular imaginative state of play.
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People tend to think of Brisbane as a sleepy, sub-topical place. I don't know. It's like Baltimore or something. I don't know. You would hear the family dramas going on behind closed doors.
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I die in almost every film I've been in.
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I always had a fantasy of being a chef, because I like kitchen life.
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