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I would agree on the aging thing. Because, at a certain point, once you start noticing it, it is your subject. And I know young that people, when they get to 30, say, Oh, I'm so old. But actually, around 50, you do become conscious of it.

Geoff Dyer

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Geoff Dyer
Age: 66
Born: 1958
Born: June 5
Author
Journalist
Music Journalist
Writer
Cheltenham Spa
Actually
Around
Noticing
Become
Aging
Certain
Subject
Young
Agree
Thing
Conscious
Would
Start
People
Point

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Each of my book arrives at a form and a style that is appropriate to the subject.
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Nine times out of 10, the most charming thing to say in any given situation will be the exact opposite of what one really feels.
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One's happiness is very largely a question of state of mind rather than the world you are looking at.
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One of the reasons so many nonfiction books are so boring is because what they've done, very diligently, is fulfill the terms of their proposals. They've written up their proposal, long-form, and often what this does is then set up a sort of serial deal, where the whole book can essentially be reduced back to the size of the original proposal!
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When you are lonely, writing can keep you company. It is also a form of self-compensation, a way of making up for things—as opposed to making things up—that did not quite happen.
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I've never really liked L.A., because of its sprawl.
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Have regrets. They are fuel. On the page they flare into desire.
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Whatever people may say about my books - and it always amazes me when people don't like them, but sometimes they don't - the epigraphs have always been top-drawer. I think having that at the outset protects me from a lot of potential problems.
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I would hope that nothing that I write would ever seem earnest because I subscribe absolutely to Franz Nietzsche's claim when he says, Ah, earnestness, the sure sign of a slow mind. Earnest people are always a bit on the thick side in my experience.
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For so long I didn't have any kind of readership at all - I'd get published, but not read - the idea of writing for an audience is so anathema to me, it's never bothered me.
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I always hope to come up with a style of writing that's appropriate to the material and I felt like this was. And then there's plenty of - I don't know if it's the right word but - lampooning, but it's always at my expense.
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Foreign governments are going to be poring through all these Donald Trump tweets looking for - to try and discern what it means for foreign policy.
Geoff Dyer
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The only distinction I'd make is between film and telly, I guess. Film, movies, and cinema are all synonyms as far as I'm concerned but telly is different. It's just a plodding we've-done-this-scene, we've-done-that-scene and it never becomes this new other thing.
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These days any self-respecting exhibition of nude photos has to have pornographically explicit images to prove that they are works of art.
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If Donald Trump thinks that just by being unpredictable that somehow he can have an impact, but not necessarily commit himself to certain things, that's not the way it is going to be read in foreign capitals. Foreign governments are going to take these things very literally and very directly.
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I want to stress, this is the experience-growing up in a working-class family-that defined me and continues to define me. It's the core of my being. And it explains, incidentally, a good deal about my love of America.
Geoff Dyer
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It's this thing that's going on all the time - aging. Paul Auster quotes the poet George Opren on growing old: What a strange thing to happen to a little boy. Which I think is so profound.
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I really like the George Clooney of Solaris also filmed by Andrei Tarkovsky, before Steven Soderbergh: that's very obviously sci-fi, and it seems to me a great film. But whatever pigeon-hole you put Stalker into you would both be increasing the risk of disappointing people and diminishing the film.
Geoff Dyer