Quote

When you are lonely, writing can keep you company. It is also a form of self-compensation, a way of making up for things—as opposed to making things up—that did not quite happen.

Geoff Dyer

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Geoff Dyer
Age: 66
Born: 1958
Born: June 5
Author
Journalist
Music Journalist
Writer
Cheltenham Spa
Also
Lonely
Self
Happen
Quite
Writing
Company
Way
Making
Things
Keep
Happens
Compensation
Form
Opposed

More quotes by Geoff Dyer

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Each of my book arrives at a form and a style that is appropriate to the subject.
Geoff Dyer
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I’m so revolted by writers taking themselves seriously that, as a kind of protest, I’ve deprioritized the role of writing in my life. I do it when I’ve not got anything better to do – and even then I often do nothing instead.
Geoff Dyer
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These days any self-respecting exhibition of nude photos has to have pornographically explicit images to prove that they are works of art.
Geoff Dyer
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Whatever people may say about my books - and it always amazes me when people don't like them, but sometimes they don't - the epigraphs have always been top-drawer. I think having that at the outset protects me from a lot of potential problems.
Geoff Dyer
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Have more than one idea on the go at any one time. If it's a choice between writing a book and doing nothing I will always choose the latter. It's only if I have an idea for two books that I choose one rather than the other. I ­always have to feel that I'm bunking off from something.
Geoff Dyer
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Nine times out of 10, the most charming thing to say in any given situation will be the exact opposite of what one really feels.
Geoff Dyer
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I would agree on the aging thing. Because, at a certain point, once you start noticing it, it is your subject. And I know young that people, when they get to 30, say, Oh, I'm so old. But actually, around 50, you do become conscious of it.
Geoff Dyer
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It's this thing that's going on all the time - aging. Paul Auster quotes the poet George Opren on growing old: What a strange thing to happen to a little boy. Which I think is so profound.
Geoff Dyer
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One of the reasons so many nonfiction books are so boring is because what they've done, very diligently, is fulfill the terms of their proposals. They've written up their proposal, long-form, and often what this does is then set up a sort of serial deal, where the whole book can essentially be reduced back to the size of the original proposal!
Geoff Dyer
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Foreign governments are going to be poring through all these Donald Trump tweets looking for - to try and discern what it means for foreign policy.
Geoff Dyer
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I don't like my books being defined by their about-ness. So now the subtitle has just become a kind of strap-line on the cover.
Geoff Dyer
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I've never really liked L.A., because of its sprawl.
Geoff Dyer
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I want to stress, this is the experience-growing up in a working-class family-that defined me and continues to define me. It's the core of my being. And it explains, incidentally, a good deal about my love of America.
Geoff Dyer
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Have regrets. They are fuel. On the page they flare into desire.
Geoff Dyer
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Life is bearable even when it's unbearable: that is what's so terrible, that is the unbearable thing about it.
Geoff Dyer
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For so long I didn't have any kind of readership at all - I'd get published, but not read - the idea of writing for an audience is so anathema to me, it's never bothered me.
Geoff Dyer
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One's happiness is very largely a question of state of mind rather than the world you are looking at.
Geoff Dyer
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I really like the George Clooney of Solaris also filmed by Andrei Tarkovsky, before Steven Soderbergh: that's very obviously sci-fi, and it seems to me a great film. But whatever pigeon-hole you put Stalker into you would both be increasing the risk of disappointing people and diminishing the film.
Geoff Dyer
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The only distinction I'd make is between film and telly, I guess. Film, movies, and cinema are all synonyms as far as I'm concerned but telly is different. It's just a plodding we've-done-this-scene, we've-done-that-scene and it never becomes this new other thing.
Geoff Dyer
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[William] Eggleston's photographs look like they were taken by a Martian who lost the ticket for his flight home and ended up working at a gun shop in a small town near Memphis. On the weekend he searches for the ticket - it must be somewhere - with a haphazard thoroughness that confounds established methods of investigation.
Geoff Dyer