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I had improvised a lot in classes and at the Actors Studio, but I never did it in front of the camera.

Gene Wilder

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Gene Wilder
Age: 83 †
Born: 1933
Born: June 11
Died: 2016
Died: August 29
Actor
Comedian
Diarist
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Writer
Milwaukee City
Wisconsin
Jerome Silberman
Never
Studio
Studios
Camera
Cameras
Fronts
Front
Class
Improvised
Actors
Classes

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Dont put the sheep on the table.
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A lot of comic actors derive their main force from childish behavior. Most great comics are doing such silly things you'd say, 'That's what a child would do.
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Actors fall into this trap if they missed being loved for who they really were and not for what they could do - sing, dance, joke about - then they take that as love.
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Her business manager said, you know, Gilda [Radner] left you that house. That's when I decided to stay and test it out. And after about a month, the roots grew, and I didn't ever want to live anywhere else for the rest of my life - travel, yes, but not to live anywhere else.
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I met Richard Pryor for the first time in Calgary, in Canada. A very quiet, modest meeting.
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Where is fancy bred, in the heart or in the head?
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If the physical thing you're doing is funny, you don't have to act funny while doing it...Just be real and it will be funnier
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Gene Wilder often said that his job as an actor wasn't to make something funny but to make it real.
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A little nonsense now and then is relished by the wisest men.This was said by gene wilder ... what does it mean ?
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I'd like to do a comedy with Emma Thompson. I admire her as an actress so much. I love her. And I didn't know it until recently that her whole career started in comedy.
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[ Zero Mostel] would tell anyone anything, not to be impolite, but he'd show that he wasn't at all afraid of however much money that person [had] or whatever title they had in a company. It didn't scare him. Mel [Brooks] was very much the same way.
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I certainly didn't have New York Jewish humor. But I was in three Mel Brooks films so people thought I was a connoisseur of New York Jewish humor.
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On stage or in the movies I could do whatever I wanted to. I was free.
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My agent at the time, Mike Medavoy, before he became a movie mogul, called me up and said, how about a movie with you and Peter Boyle and Marty Feldman? And I said, well, what makes you think of that? He said because I now handle you and Peter Marty.
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On screen, Gene Wilder could often be summed up as an accident waiting to happen, that frizzy, flyaway hair, the eyes darting this way and that and then something would set him off, Zero Mostel, say, in the movie that made Wilder a star, The Producers.
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Zero Mostel wasn't afraid of authority in any form, and that's the part that influenced me the most.
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For what we are about to see next, we must enter quietly into the realm of genius!
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I wanted to do - there was this film called 'Magic' that Anthony Hopkins did. And the director wanted me. The writer wanted me. Joe Levine said no, I don't want any comedians in this.
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My basic mistake in 'The World's Greatest Lover' was that I made the leading character a neurotic kook and sent him to Hollywood. I should have made him a perfectly normal, sane, ordinary person, and sent him to Hollywood. The audience identifies with the lead character.
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Little surprises around every corner, but nothing dangerous.
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